#we're still very much working out story elements as we go. .its a very big world

[skimmeh]

Day 6- runaway

I'm so very behind- life got busy- but here are some stareater Etho doodles

The prompt list

[biomic]

Hi! I see a lot of screenshots and such from your blog for things like (I believe) Kamen Rider(?) I might be wrong please forgive me if so. I have always had a sort of vague interest in sentai media but never knew good hopping on points, do you have any personal recommendations for where an absolute beginner might jump in to watch shows like that?

if you're interested in tokusatsu, you can really start anywhere that looks cool or interesting to you! most seasons, aside from some anniversaries and the very rare sequel show, are pretty self-contained for the most part. diehard fans will make a big deal out of "good and bad starting points" but the truth is every show has been someone's first and hooked them on the genre, even the "bad" seasons (the poor quality of which is often exaggerated by fandom anyway) or the experimental entries not indicative of the wider franchise they're part of

but! if you want some real beginner friendly, you'll-probably-have-fun-with-this toku, my go-to recs for The Big Three™:

if you want to follow a team of heroes grow together as they fight evil in increasingly silly scenarios, super sentai's probably the series for you (and my favorite ^_^)

watch kiramager if you want a straightforward throwback to classic sentai. it's a back-to-basics season that gives you a good baseline of what sentai as a whole can be, while elevated enough by its stellar cast and infectious energy so as to never feel generic

shinkenger takes a more dramatic approach to the usual sentai formula, following a team of samurai recruited to serve under a lord who isn't telling them everything he knows. an incredibly stylish show that's almost sure to leave an impression

kamen rider began as a tragic hero, kidnapped by the villainous organization shocker and turned into a cyborg against his will, ultimately escaping and using his newfound abilities to put an end to their evil. since the original story, kamen rider has gone through a whole host of various different tones and storylines, arguably becoming the most versatile of the big franchises, though certain elements remain consistent like the near ever-present bug motif or our heroes using powers derived from evil for the sake of good

created in the wake of the 2011 tohoku earthquake disaster, kamen rider fourze was made with the goal to make children smile again, and that desire led to something really special. arguably The Power of Friendship™ show to end all others, and while its upbeat tone might not exactly be in line with Classic Kamen Rider™, it stands as a great entry point thanks to the passion behind it and its clear love for the genre

probably best experienced as blind as possible, kamen rider build is a rollercoaster of a series full of high stakes, mystery, intrigue, and Heated Drama Between Men™. if you want something more serialized that'll keep you on the edge of your seat throughout, build's one of the very best

i also wanna mention kamen rider gotchard, the currently airing series! we're only 8 episodes in at the time of this post, so you could catch up quick while still going through the backlog. very much a back-to-basics season, introducing pokemon-style creatures for our protagonists to catch in addition to the usual superheroics. it's been pretty cute so far :)

ultraman is a sci-fi series that typically follows a defense team created to defend the earth from aliens and kaiju, aided by the giant of light, ultraman. as opposed to the other two franchises where there's often a serial plot to follow and a centralized villain faction, ultra typically thrives with telling standalone sci-fi stories, usually aligning with a show's overarching theme and often compared to shows like star trek or the twilight zone, though recent seasons have been more willing to switch up the format

ultraman x is for anyone who's ever asked, "but... what if we could be friends with godzilla?" young XiO scientist daichi becomes bonded with the alien ultraman x and work together to protect the earth and fight for a future where humans, aliens, and kaiju can coexist. to me this is like, the platonic ideal of what ultraman is, and a perfect starting point because of it. also features several crossover episodes with past ultra seasons throughout the show, but it's all still very new-viewer friendly and could even entice you to check out some of those shows yourself!

ultraman orb, the 50th anniversary of the series, changes course by making the defense team a background component in favor of following amateur investigators and the mysterious, lone wanderer who's suddenly entered their lives (hint: he's ultraman). another iconic entry in the Heated Drama Between Men Cinematic Universe and a nice balance between ultra's classic status quo and a more modern ongoing narrative

i'd also be remiss not to mention the currently airing ultraman blazar, which i unfortunately have not been able to keep up with due to outside circumstances but have heard NOTHING but glowing praise for. it's simulcast on youtube every week with english subtitles AND an optional english dub!

pretty much all of these can be snagged over at nyaa(.)si, and x and orb can be watched legally over on tubitv(.)com!

[basedkikuenjoyer]

Brick by Brick (Putting it Together)

Well, 1126 certainly ends off on a wild and very interesting note I have a lot to say about. But I don't want to bury the very interesting stuff getting there. First...hell yeah we're getting trashed on Giant absinthe! If you're unfamiliar, that is an alcohol made with a specific type of wormwood that isn't necessarily the strongest booze out there but it's unique for having hallucinogenic effects. Well, for having a reputation for that though it's exaggerated.

Still, it's important to note we're here just casually partying on the way to Elbaf given what happens next. On the way there though, we're going to continue this element of getting back to some of the side stories set up in Egghead. The lines are still very blurred in terms of whether we've finished that arc or are starting a new one. Much more than we typically see in these intermission chapters. So let's look at the two we have, remembering there are thematic ties and how they may all resonate with the title. "Payback" is an interesting term with context in this series.

Especially when we see this guy. So yeah, FWIW this chapter title is the same Kanji as the "Payback" in Payback War, where Marco led the Whitebeard Remnants in trying to get even with Blackbeard. That's not the only time we'll mention the legacy of the Whitebeard Pirates which is always something I'll take interest in when a certain one of them felt unfinished in his own arc. We still have Marco and Bakkin/Weevil's story running through Sphinx Island.

That said, the scene is interesting in its own right. BB getting onto Pizarro here is pretty funny. Lafitte keeping an eye on the Revolutionaries current siege on the Red Line is intriguing, but the big thing to me is the prisoner swap. Perona & Moria got away but they captured Garp and we see Pudding here too. Blackbeard always has that way of mirroring Luffy. If nothing else, they've both "captured" a big shot to the World Government here with Lilith/Garp. Moria slipping away with important secrets though could mirror Caribou doing the same to Luffy and of course Pudding is interesting as well. But this isn't the only side story we get an update on.

Hell yeah Barto, and fuck you Shanks for blowing up the Going Luffy-Senpai. I wanna get to the fireworks factory though so we'll keep this quick. There's two elements. One, this works nicely with other scenes showing the Grand Fleet getting up to trouble since Dressrosa. That plus Shanks hammering home the idea he has to respond to save face. Explaining why it matters. Shouldn't be anything new to you if you've been reading along with me for a while, but for a refresher I do still feel this is something Luffy was starting to get in Wano. Key word being starting.

It's something he was showing he was learning with how Kiku in Bakura Town builds off Katakuri/Future Sight and flows into Hyogoro in Udon. Then it starts to break away from that first with Yamato forcing his way in, then Gear Five, then seems completely forgotten come Egghead. Which starts with aggressive reminders none of this nonsense had anything to do with you and ends on the complementary note of losing control of how the story gets told. But...we all know we're here to talk about one event this chapter.

Huh? The Sunny mysteriously disappears and we see Nami being woken up by someone in...a Lego house? I wanna do bullet points and kinda quickly address all the stuff we see flying around because this is both absolutely bonkers but also not too far off from some of the things I thought could happen with how we've had weird elements of how Wano/Egghead were written:

First off who. Who was split off into this odd area. It was the original six and the more recent four crew mates this time. Interesting. A lot of people jump to Vivi right away. It's equally true that these are the crewmates who met Ace and also that we got the younger ones apart from their elders.

A lot of people have jumped right to thinking this is Elbaf and Loki has Nami in something like a dollhouse. Lego do come from a "Viking" country and that'd explain the outfit...but we've never seen anything like this aesthetic.

Real absinthe may not be super hallucinogenic...but it has a real reputation for that. One the Giants invoked. That could be a part of things.

Stussy isn't out of the question though. Especially when we get a little reminder of the brokers via Umit coming up earlier.

If there's any known Devil Fruit power this may fit with it'd be Sugar's. Which is a stretch. But this vibe could be a bridge to thematically tying Elbaf & Whole Cake.

This could be a ship, that was the first thing I thought seeing the actual panel. So the "Man Marked by Flames" and his ability to cause whirlpools isn't a bad idea.

OG Kuma is there, he coulda shoved the Sunny away. Doubtful but a possibility.

Hopefully next chapter gives us more to go on. But for now if we want to ponder things keep the facts we can glean in mind. It had to be something sudden that could happen without the other ship noticing. Whoever is calling out has to be someone who'd know Nami. We don't know which side we'll focus on for resolving this. By the same token you could say this is the gang that knows Vivi so she has to show up...it's really just split based on time. We could just as easily focus more on giving the latecomers a chance to shine figuring this one out. Or they could go on to Elbaf and set it up like Zou so we don't really need to fabricate a conflict for that arc when we finally get there.

Whichever way it goes...this is exactly the type of shit I wanted to see and I cannot wait to see how it unfolds...

...

...

Have you stuck with me this long? Humor me, it's my birthday weekend. Probably the last time I get to say this...but what a swan song. There's a bullet points I left off, but it'd check all the boxes right? Someone unassuming has been on the ship and thus gets snagged away with the early comers. There you go, friendly face that isn't drunk and has had time to get a handle on the situation. And still a reason to keep them obscured. Blends well with this Blackbeard/Shanks stuff, Yamato's entry in the cover saga, and still leaves Drake for the actual reveal.

[gunsatthaphan]

Just wanted to speak up on your comment about The Heart Killers trailer being subpar from a trailer perspective--because I agree. It feels like a trailer made with intention that you already know a lot of context as opposed to being for someone who has no idea what's happening going in.

I watched it knowing that there was going to be some sort of Shakespeare interpretation and that it was likely going to be Taming of the Shrew; knowing that, a lot of the plot elements and dynamics came together more clearly in the trailer. If you had no idea, you'd be totally lost because it's using TOTS as a conceptual basis rather than something totally literal, and then it's also using that concept to jumpstart a rather big plot that isn't well explained. So much is happening that it looks like nothing is happening at all. Essentially, even though First and Khao may be representing the "secondary couple" of TOTS, the reason is because their characters are actually driving the plot. Jojo is using the scenario to jumpstart his story.

Lucentio and Hortencio are combined into Kant, who is initially less interested in ensuring he woos Bison/Bianca because he's in love and wants to court them like the original; rather his goals as a "spy" are the priority (ergo all those conflicted shots of Kant because he inadvertently fell in love in 0.5 seconds but still has a job). Bison is more central in wanting to play matchmaker for Fadel because he's invested in Kant (warping the "daddy won't let me" passive plot of the original into a more active "big bro won't let me (because we're assassins)" and creating a very different dynamic that we see in a few scenes; though Bianca is involved in TTIHAY to an extent). Kant's conflict between his job and his heart is probably going to take center stage in their portion of the story.

Joong and Dunk's Katherina and Petruchio have a dynamic more reminiscent of TTIHAY than the original TOTS with its intention to develop a genuine romance between Petruchio/Style and Katherina/Fadel and bring Kat/Fadel out of their closed off shell pretty clear and not...legit tame the shrew. And all of this is not even mentioning the dynamics arising from the practicalities of the assassin vs. infiltrators plotline (which was under-explained--like it seems like vigilante work given the context clues). "Trust" is probably going to be a strong theme across the board. Jojo, as you well know, has strong credentials in balancing drama with comedy, so I think this has a lot of potential. Everyone emphasized that this is a rom-com dressed as an action drama.

It's pretty clear to me that the four of them are going to be treated pretty equally (strong 4-person plot with lots of intertwining elements) and it seems like Aof weirdly even went out of his way to imply on Twitter that FK having strong scripts/characters was a priority for all of them.

Anyway, sorry for the long rant. I just wanted to put words to why you might be feeling the way that you did about the trailer and maybe even allay some fears. I never want to have too high expectations (I did the same with Only Friends lol), but I don't want to sell this short either.

okay so anon sent this back in April on the day of the lineup/THK announcement and I put it into my drafts with the intention to revisit it closer to the THK premiere date, but eventually forgot about it lol.

I didn't want to delete it however because obviously anon took some time to write this and it's intriguing to read. So in case you see this anon, thank you so much for this detailed analysis and sorry for letting it sit for so long, I think you're making some excellent points. I have not read the original TOTS but it's interesting to compare your notes to the final show and assigning the TOTS/TTIHAY characters to the ones in THK.

So I'm just gonna post this into existence for anyone who's interested - feel free to comment your thoughts below! 😊

xxx

[dumdeeedum]

How is an eighteen year old hooking up with a nineteen year old that he was previously worried was younger in any way rape? they are both older teenagers please be serious. baby faced nineteen year olds exist in the world it's not rape when they date their literal peers. i do kind of take your point about aging up claudia- it doesn't always work for me either but they really couldn't have cast a kid and done two seasons even if the ethics of that situation wasn't extremely dodgy. at a certain point you have to treat it like a mid special effect or stop watching.

I'm gonna go ahead and keep watching and commenting on what I'd like, thanks. I find it very strange that that's everyone's go-to when it comes to everything now. Are adaptations just whatever people want them to be now and if you expected to AT LEAST recognize the characters that's your bad and you're an idiot? I'm honestly still here because I love the book series, have been waiting for an adaptation for DECADES (was SO EXCITED for the Fuller adaptation that fell through) and now I'm waiting for the "Interview" part, the most boring but necessary foundational part for me, to end and to get to the good stuff. The problem is that the changes have been so great that I'm concerned and I'm allowed to feel that.

I feel like y'all want to be intentionally stubborn and weird about this which is part of the point and reason why aging up Claudia was a bad idea. She's MENTALLY 18 but she's physically meant to be a child. If we're having to have it so we're all just splitting hairs about how old she actually is/looks/is meant to look like in the show or having to suspend utter disbelief for it to work then it doesn't work. It also takes away from the visceral reaction we get from Claudia in the book, the utter sense of wrongness and pity we have for her and her situation. And how utterly wrong and fucked up it was of Lestat and Louis to make her.

Even Armand says as much and thinks of himself as having been too young at 17 in retrospect in the books. He's also angry at Marius in the books for turning Sybelle and Benji, the latter of whom is only 12. It's a big thing in the book series.

Claudia being unambiguously young allows the story to convey its idea in no uncertain terms: she'll be a child forever. She can't simply explain away her situation to her contemporaries whom are human because she can't tell them she's a vampire. She can't have sex with someone because she's a child and only a pervert would want to fuck her. She has all these adult feelings and sensibilities and she's not taken seriously and can't act on many of them because of that. Even her fathers, who know her the best and know she's mentally old as fuck still see her as a child. In her diary in "Queen of the Damned" she describes how cruel it is that Lestat gives her a DOLL every year on her birthday just to fuck with her because Lestat is a bitch.

When you not only age the character up to 14 but then cast someone who is an adult and then IN THE SHOW tell us that it's easy enough for her to just go "no, I'm an adult I just look young" then you take away pretty much all the angst of the character and she loses what makes her such a horrific element.

In fact, in season 2 she's so out of character for me because book Claudia, as an adult, is very smart and dignified and SEEMS old, which this actress does well but doesn't fit with an adult body. Book Claudia would not allow herself to be treated the way this Claudia allows herself to be treated and it's part of why book Claudia finds Madeline and starts to pull away even from Louis whom she knows is about to leave her for Armand. She also knows that the theater troupe suspect she killed Lestat and dislike her and want her dead. She's not even trying to make nice with them.

In this she's allowing them to dress her up like a child and make her a servant and humiliate her. I know they needed to expand on shit to make a season of television instead of a shorter book but I think it only ends up showing us that the show is floundering on how to convey its idea that Claudia is a child without actually having a child. They could have put more time into her relationship with Madeline which they only sort of did. Have Madeline treat her different and show her spending time with Madeline instead of prostrating herself for these people who disrespect her.

It's especially poorly done when a 14-year-old isn't even a child the way they want to depict her in the stupid waste of my life play they have her in by the standards of THAT TIME. The conceit of that idea would have worked better if the actress had been much younger and may even have served as a surrogate for Lestat and the doll. Unfortunately here it just doesn't work because she's already too old for the Shirley Temple shtick.

They could have gotten a teenager who perhaps looks like they're pre-teen Disney channel aged or whatever. I know that Kirsten Dunst was 12 when she filmed the movie and that's young enough to get a couple of seasons in before they get too old looking. Again, Disney channel aged (I'm too old to know where the kids are these days). Especially when Claudia reasonably should only be there until the end of this season even if they don't mean to continue past "Interview with the Vampire." Ideally they'd have made "Interview" into a miniseries and moved on because the entire thing is too long-winded and different.

Children do horror all the time. You don't have to have anything explicitly sexual for the character to work and that's another reason why the age up bothers me. Kirsten Dunst didn't HAVE to kiss Brad Pitt either, they added that to the movie so making that some sort of bar a young actress would have to meet is nonsense.

It feels like they ONLY aged her up TO put the actress in sexual situations and make it acceptable. But then they ALSO decided to age up Armand, presumably because it would be weird to put him in a sexual relationship with Louis if he's meant to be 17. So which is it? Can we have mentally young characters in sexual situations with adults or not? After all, mentally Armand is over 500 years old and Louis is much younger.

How much more impactful would it have been for us to see Claudia spending time with a boy she likes, a boy her "mental" age, to have him shoot her down and treat her like a child and even perhaps laugh at her? And for that to happen to her over and over again if need be. Instead she can just explain it away and it's fine if the guy she likes sees a teenager and still wants to fuck her, it's all fine?

It was a bizarre decision and as good as the actresses are and I wish them incredible success in their careers, it doesn't work for this show. A LOT doesn't work for this with the age changes as far as I'm concerned.

[rockybloo]

One plot aspect of Across the Spiderverse is the canon event, and that common story elements "can't change".

What were your thoughts on that, especially in relation to Beanstalked, which has a similar conflict with Jack and Nana wanting to be together despite that not being the path the Book chose for them, or is the Book different from canon events due to the endings being altered and needing to be restored?

OOOOOOO this is a really good question! This is def gonna be a long one with some Spiderverse spoilers so I'mma put everything under the cut

I honestly love stories where the main conflict is rebelling against the story or role someone has been assigned or at least flipping things on it's head and upsetting the status quo.

It's one reason why I really enjoy Shrek and Cats Don't Dance since, while both handle different topics, they both are still about a rebel rejecting the rules laid out for them by society to achieve their own happiness.

It's why I greatly enjoyed Across the Spiderverse since Miles is basically rejecting the story people are forcing on him for being Spiderman.

In relation to Beanstalked, it's hella fun to work on for me since fairy tales are such a universal thing. So it's really easy for many people to understand when a fairy tale retelling is sticking close to the original versions we're familiar with and when it's going off script.

I'd say on some level, comic book heroes are some modernized version of fairy tales since many are aware of the heroes and their origins and they all have various retellings. Of course, there's a whole lot of differences between the two like the fact one is in public domain and the other is super copyrighted BUT there's that universalness in both. So we all understand what's different about Miles compared to other Spidermen just like most are aware of what's different about Jack and Nana from other beanstalk Jacks and red riding hoods.

When it comes to the comparison of the Storybook and canon events, a canon event (as I understand it) is what is necessary for a Spiderman to remain on what is basically their story path. And the Storybook is basically a layout of a Bookmarked's entire life which includes multiple key events that they go through to keep them on track to that happy ending.

I'm not sure Spidermen really have a happy ending destined to them, as Miguel made it very obvious that being a Spiderman isn't a very happy thing, but there's the shared theme of "This is the script and you need to stick to it because this is what the universe has deemed you to be. Even if you did not choose to be this, we have decided this is how you have to live your life regardless."

Nevermore and Miguel are def polar opposites in terms of what they want though (and in like…everything else) as Nevermore does all she can to keep people from living on the storybook paths assigned to them and Miguel is doing all he can to make sure every Spiderman sticks to their canon events.

I'd say that Bookmarked have it easier than Spidermen because there are multiple different mini paths on a storybook path so there can be a wider variety of choices that can be taken so things aren't as strict for them. But Bookmarked are very much not meant to be interacting with eachother mid story. Once a story reaches its end, then it's a bit different but often, a Bookmarked story path tends to be an isolated one. In the rare occurance a Bookmarked crosses paths with another Bookmarked during their story progression, it's never quite on the same level as Jack and Nana where it's literally them falling in love with each other as that is a BIG story disrupter.

This is because sometimes, a Bookmarked is already on the path of romance for someone else they are destined to be with in story. So if they stray off the course and find someone else OUT of story , especially someone from a completely different one…it's a bit difficult for the Storybook to reroute the path. Whether or not that's the case with Jack and Nana, y'all are just gonna have to wait and see. HOWEVER-they are very much in the category of Bookmarked who are potentially never meant to cross paths in general.

There are some negative side effects for a Bookmarked not achieving their Happy Ending (not to be mistaken for a story book path as that's just the journey TO a Happy Ending) but that's when we're beginning to enter spoiler territory. It's definitely not as bad as "YOUR WORLD IS CAVING IN ON ITSELF AND DECAYING BEFORE YOUR VERY EYES" like Across the Spiderverse but still. There are negative side effects that no one save for Nevermore and the Gods are super aware of which is why Luna practically busts into Jack's life in chapter one and practically forces his story to start.

[reflections-in-a-critical-eye]

Why do you think romcoms don’t hit the way they used to?

I grew up watching all the classics with my mom so I do think nostalgia is one reason, but it can’t be the only one.

These days many romcoms miss some elements that the earlier onse had. I can’t pinpoint what.

I recently watched this movie( The royal treatment) who tried to emulate classic romcoms by giving the girl these quircky Italian-American family who lives in NY and are very close to the community to give an example, but it doesn’t work. To put it nicely the movie sucks ass.

There's several reasons why rom-coms today don't look the same as they used to. We have to remember that any film (at least in my view) reflects the society and the current times in which its made. An 80s rom-com will have characters with a specific set of values that protagonists in the 2000s might not. I'd say even the 1930s-1940s screwball comedy is sort of the beginning of the genre, just think of the movies Katherine Hepburn and Cary Grant did together. The genre changed so much throughout the history of cinema and what we have today reflects the world in which we live. In terms of ideological/societal changes, just look at how the female characters are depicted. Still in the 2000s, it looked like the majority of female characters had but one purpose: finding love. Nowadays, as an effect of current understanding of feminism and gender roles, we're loooking at different needs and desires.

Another element would be the financial aspect. Franchises and comic-based films took over the industry in the last 10-15 years? It feels like a lot of genres of mid-range films disappeared and were instead replaced with the superhero blockbuster. And obviously we still have the B-movies. The point is, there's less investment and that is ruining Hollywood, among other reasons. On top of that, we've been living in a golden age of television. If we want good stories, that's what we watch. A lot of money goes into that. Streaming platforms had their contribution as well. They still put out some rom-coms from time to time. Some do well, others go unnoticed. A lot of the times, there are no big names playing the protagonists. No JLo or Julia Roberts. The big names either go for the drama because it has more Oscar potential; tv series of course and lastly, the bug budget film because it pays well and they end up stuck with a franchise for 10 years, aka Hell. But hey, they get money.

I see this as a period that it's definitely a low in general for genre films in terms of the budget they get and the audience reach. It might come back, but perhaps with some added changes. Like I said, it's a bigger issue, of studios not investing anymore in mid-cinema.

[mareenavee]

15 and 22 for the love spreading asks!

HI kel!!! EEE!! So glad you sent these! Let's GO!

Fandom Positivity asks from this game here.

15. A topic you never get tired of discussing.

I have so many answers for this LOL but let's talk about the concept of:

🌙 Fate & Destiny ⭐

(Oh, I can already hear Para cackling about it since I brought it up again.)

This can be kind of a funny one for some readers. There's a lot of folks, myself included, who get kind of tired of fate presented in terms of chosen one tropes or soul mate situations. So when I began thinking of World and what I wanted to do about it, I first thought -- I gotta break The Rules.

I am inspired a lot from the way Morrowind tells its story through the main quest, first of all. There's an element where, sure, things can line up and be fate driven, or unavoidable destiny for the Nerevarine but it's not...I would say it's 100% clear if the Nerevarine is actually a fated reincarnation or if they happened to be the best person for the job, and conveniently able to be manipulated into being that hero. Even at the end, after the big bad is dead and the world is saved, we're still not sure.

I love that kind of thing. I love that fate can be nebulous concept that worries different characters in different ways. Teldryn in mine has waffled over the damnable concept for centuries. Nyenna is pretty pissed off about it and adamantly refuses to think about it. Athis is pretty sure the concept of fate ruined his entire plan for his future.

It's more, for me, about the consequences of stuff being predetermined. What does it cost to become this legendary thing? (:

22. Give kudos to someone who deserves recognition for their contributions to the fandom (event mod, server mod, creator of rec lists, etc.)

Gonna shout out @thelightofmorning !! I am always absolutely in shock and in awe about how very much you are capable of writing and posting. You are always top of the TES tag and have been for a good long while. Your work is a permanent fixture in our community. It's all a shining example for us to be doing/writing what we love because we can and to keep a tag going for as long as we want because we are passionate about the stories we're telling. It's clear in your writing, and I'm glad we're mutuals here :>

[alchemil-studio]

Norvale Devlog #1

Hello! we’re Alchemilla studios and we’re here to present to you our very first devlog for Norvale!

Alchemilla Studios

First things first, we want to introduce to you Alchemilla studios and how we came to be.

We’re currently just a two-person team, consisting of Mari and nana, and a few years back we thought of making a visual novel and actually had an idea for a really big concept. However, we thought that it would be too much time and effort for beginners like ourselves, so we put that vn idea at the side and thought of making a simple one first and that led to Norvale.

While coming up with the name for our group, we thought using a flower's name based on its meaning would help encompass the type of content we want to make. The floriography for Alchemilla means "a comforting love", which felt like a good fit for us since we mainly want to create simple, easygoing content for people to enjoy while they relax and unwind after a stressful day. We might throw in a little angst here and there (lol), but for the most part, we want to try and create things that give people a sense of comfort in the midst of their busy lives.

As for the medium of our projects, we're currently focusing on visual novels and are interested in creating webnovels as well. We're still figuring things out but we hope to branch out into more mediums in the future!

Norvale

1. Concept

We came up with the plot for Norvale on a whim really lol

I (nana) thought to make a cute little story about someone that visited their childhood home again and relived the memories they had with a friend and a promise they made. The story went through a lot of changes and ideas to the point Mari had no idea what the story was even about anymore, before we decided on the current plot of Norvale.

The core idea was always to have a simple story since this is the first time making a visual novel for both of us. We’re the only two people working on it so we didn’t want to add too many elements and get overwhelmed.

As for how we came up with the name Norvale…it was a name we picked from a list of generated town names lol

2. Development

Story and Characters

Like we mentioned before, we wanted to keep the story simple and straightforward. As such, we broke the main story into 3 places that the player can visit. Where they go will be based on which item is chosen: the Marble, the Candy Wrapper or the Button.

Each place visited has a different character(s) the player gets to interact with. All the characters that you’ll run into are people the player character, Morgan has spent time with as a child.

※ Only the Candy Wrapper route is available in the demo.

Character Design

In line with keeping things simple for Norvale, the characters are also fairly simple in design! I was initially going to add shading and highlights to the sprite art but I quite like how the flat base colors look so I left it like that. It also personally makes it faster to deal with any adjustments or changes required when I don't have to worry about shading and highlighting an area over again lol

Background Art

Backgrounds were probably the biggest difficulty art wise since I've never really drawn them before. And the few that I did draw in the past...weren't very good lol

So I'm probably the most surprised by how decent they turned out 😂

There's still lots of room for improvement but I've learned a lot from drawing the bgs in the demo so please look forward to (hopefully) better looking backgrounds from now on (๑•̀ㅂ•́)و✧

UI design

We sort of had a general concept to use a scrapbook/journal design for the UI. Since the premise of the story was for Morgan (player character) to reminisce about their time in their childhood town. So a scrapbook and journal type of design was what we envisioned. 

It's still quite a simple design as we're still getting used to designing UI (tools and techniques) for visual novels 😅

I mostly used photoshop and figma. I used figma to design some of the components while I used photoshop to lay them out and other design/color customization.

I'm still figuring out the best tools for me, so hopefully I'll get better.

Ren'py Dev

Developing on Ren’py was relatively easy to pick up, however other customizations, I (mari) needed to figure out and research online, especially for some features that nana wanted to implement, but had to push back to the full version as I didn’t know how to do them in time for the demo release.

But I definitely learned alot in developing vns on Ren’py, and hopefully I get to do more UI and feature dev to fully customize our future projects.

3. Demo

We released our demo in time for SuNoFes 2022, as we thought it would be a good place to get feedback as well as place a deadline on ourselves, since we both just went on our own pace when developing the assets.

We definitely went through alot of trial and error with the art, sprites and development on ren’py, but we were figuring it out our vision for the game as we went along. 

We’re still figuring out a proper workflow for the both of us, as well as the practices other visual novel groups do for their projects. If you have any suggestions, we’re open to them! hehe

Moving Forward

Current Progress In Norvale Post-Demo:

We recently finished finalizing the story for the Craft Store and are currently working on character designs for the characters that will be present in it.

Further Improvements After the Demo Release:

We've received feedback on the demo from players via our satisfaction survey and will be improving the game based on that. We also plan to rework certain assets we felt could be polished a bit more, namely the backgrounds and UI design.

The start screen will definitely be changed! As we plan to use an art CG for it, do look forward to it!

We also had issues with implementing sound into the demo, so we're looking into that as well and hopefully be able to add sfx and music into the game.

And that's it for our first devlog! We hope you could follow us along this journey as Alchemilla Studios and for Norvale!

Please do check out the demo of Norvale on itch.io as well!

Links

Carrd: Alchemilla Studios

Twitter: @Alchemil_Studio

Instagram: @Alchemil_Studio

Itch.io: Alchemilla Studios

[akashiayakashi]

Idk if it's too soon to write down all my thoughts because I don't know how much I've processed about this game but I prefer going right at it anyway hahahaha

Okay. so.

I think expectations worked well in favor of the sequel than when I played the first game.

When I went into aitsf, I think I was expecting more than one mystery, not that kinda crass humour, more gameplay. basically smth like ace attorney or danganronpa. i guess i was initially disappointed bc i didnt like 999 or just the zero escape trilogy in general. I honestly thought it was gonna be an L for me until I finally actually got my first ending and went through the other routes.

The strength of ai is in its mystery and how it fools the player and the detective through the limited point of view. Not pun intended since you know, they only see through one eye technically, but there were a lot of hints pointing to obvious truths that are so easy to dismiss until the truth is revealed.

My mind was like WHAT THE FUCK IS HAPPENING a lot of the time but in a good way.

I think a big reason I didn't like 999 was that I just felt so unconvinced by the conclusion and that the development didn't feel enough whereas in ai it does a good job of linking everything together in a way that doesn't feel like a cop-out. I mean 999 gave foreshadowing but the sci-fi elements didn't feel very REAL until the end, it was more of ok fun theory i guess and then suddenly SCI FI HEAVY ENDING. Ai is more like hi we're technologically advanced and we're very silly so there's a lot of space for your suspension of disbelief.

well i'm sure that's a personal thing a lot of others would disagree with but for me that's a core reason why i did like ai.

i also thought that the dynamics in ai in general were just a lot stronger and better formed (but this is not a 999 hate post i swear so i will get on with it).

ANYWAY.

since i could curb those expectations with aini and sorta knew what i was getting into going in, i could enjoy it a lot more from beginning to end. i could just get lost in the BIG mystery and not worry about the what ifs and just think of all the alt routes as ultimately serving the true ending.

also omg i didnt love the ui in ai because i didnt know you had to keep interacting until you had to stop interacting, which just didnt seem obvious to me because huh the convo is done right why are we not moving on but no the convo was not done. i knew that going in now so i didnt feel as annoyed hahaha

aini is a lot more structured and well it's by design by the time you find out how fucked the timelines are. to be honest it's still hard to wrap my mind around it.

needless to say i was losing it when we were in that one bibi part where im like WE ARE MIZUKI BUT THIS IS CLEARLY 6 YEARS AGO WTF IS HAPPENING LOOK DATE IS RIGHT THERE ALSO WHY ARE THE SPRITES LIKE THAT

The last somnium with Amame was sooooo good like it uses her previous lightning round quiz show questions where it just seemed like kinda random questions to actually show all the choices Amame had to make in the end. It's even more impressive once you realize OH SHIT THIS WAS JUST A FEW DAYS AGO NOT 6 YEARS AGO like what you initially thought.

Though her story is so tragic...

Tbh it is pretty funny how it became a shounen final boss battle in the last part. It's very silly but I think it's fitting for protags like Mizuki and Mizuki...idk how to explain but they have the protag energy. Date was more low-key so him having that kinda ending where he had to let go of Aiba instead was a lot more fitting.

IDK THE POINT OF MAKING US THINK RYUKI DIED WHY DID THEY DO THAT. I was like: ok this was a good end but ryuki died so maybe i will opt for the alternate route thing i've been hearing about bc ryuki is alive. well i know the point of it, it's just a suspense thing they wanted to do but it wasn't really as dramatic as aiba's self-destruction which was the climax of that end scene.

I wanna hate that they claim that Date is just wearing a mask the whole time. I mean I GET IT IT'S FOR NO SPOILERS and like the story is not about Date but like we went through so much in the first game and we get this very convenient explanation....it's not a focal point but I thought it would be a big deal and it wasn't jxfvbjd

The secret not so secret ending was so meta hahaha. It sorta proves the ideology naix and shigure had but this was also only possible because it's a game. So it makes you think these people obviously don't think of themselves as game characters so how about you? Are you living in the real world or the simulation? I don't believe in those sorta conspiracy theories but I like how it just tied it all together.

I didn't do the joke end of atami(?) but the mere existence of it is funny lmao.

oh right the cast

i love ryuki but i think the boy has gone through some shit and needs a hug... i dont really ship him with tama but i guess the main difference between him and the aiba partnerships is that tama seems to not take ryuki seriously and to be doing her own thing at first glance but she is actually very indulgent of him and lets him do what he wants. she is also fiercely protective which is why ryuki couldnt share any of his burdens during the past 6 years.

i understand bibi hating him but im sorry i'm a ryuki apologist bibi

omg i was so excited to see adult shoma and then i went WHY DOES HE LOOK THE SAME but wow that was actually a plot point dfvdfvd i like his lil crush on mizuki but i dont see mizuki reciprocating any time soon...she just seems uninterested in romance HAHAHA

i feel like gen existed just for amame so he feels more like an extension of amame that existed to help her than his own character which is partly why im just kinda hmmm on him. sad he died in that one ending...which kinda sucks because everyone else had happy stuff in their endings in contrast. i guess it didn't pull my heart strings enough bc we dunno how amame and gen even became friends and everything so it feels like we're seeing this strong love but without the background of how it came to be.

in contrast we saw from the start how the lien and kizuna thing developed. i dont really ship them but i think how they turned out was sweet. i was initially very meh with the idea that lien just doesnt know how to take a no but well ig the story at least showed us he wasnt creepy like uh ota or moma so he gets an upgrade in my book as 'you're ok'

the shoma & komeji ending was the first i got and it was really sweet and it makes the reality of the true timeline sadder because the last thing komeji hears either of his children say to him before he gets sliced is that they're disappointed in him

but they actually loved him very much

which is to say the secret ending...ryuki gets the burden of knowledge even though everything is 'happier' but idk how it would do him good to just live in this perfect world we chose for him instead. we saved him going thru the bad 6 years but he has the knowledge that they existed in the first place. anyway some real fun meta shit they did.

the ryuki obsession with date wasn't enough methinks. i just dont feel convinced, it just seems like he feels guilty because he knows what he did which fair enough sure but everybody gave me the impression he was obsessed since the start so i felt disappointed in that regard

not enough date tbh or rather not enough date in the way i would have prefered hahahaha. like i wanted a more dramatic reunion with mizuki and/or aiba

i mean they were finally happy then 6 years of date just gone...wtf mizuki keeps getting Ls in her life

also ig bc as an aiba/date shipper i just felt deprived but im ok. i really am. i reallly am

oh right one thing i do want to commend on aini is how its somniums are just so much more logically driven so they're more fun to solve. it doesnt feel like the strange randomness of the first game where you just have to somehow hope you're doing the right thing. there is still randomness but it feels hmmm like there is more sense in the overall somnium than the past game

i probs have more thoughts but i kinda just kept playing and playing for like 20 hours and im sure if i had any thoughts during i forgot to write them down dxfvbdfcvj but i'll probs remember if im asked very specific things

if there will be another game, i will for sure buy and play but can we no longer have separation of date and mizuki + aiba? tnx.

[lady-fey]

Subjective VS Objective Criticism - How to Improve Your Writing While Consuming Other Stories

You'll often here writers say that you need to read, watch, or listen to stories in order to be a better writer, but what does that mean in practice? How do you consume media from a critical perspective?

Generally speaking, if you want to be a better writer, then you need to be able to coherently articulate not only if you liked a piece of media, but why you feel that way. A big part of this is understanding the difference between subjective and objective criticism.

Subjective criticism is criticism based solely on personal taste. When we use subjective criticism, we're usually expressing how a work made us feel and there's no real argument for or against that type of criticism. You either like something or you don't. It can be one of the most well loved stories of all time still not appeal to you and that's fine! However, it's important to be able to identify personal taste verses actual writing issues and that's where objective criticism comes in.

Objective criticism is criticism based on technical elements of storytelling. When we use objective criticism, we step back from our feelings and look at things like the story's pacing or character arcs and discuss if there was room for improvement. Part of this is thinking about how those improvements could have been done.

Do know that you can love a work and still be able to point out flaws with it. Similarly, you can hate a work and still be able to point out its strengths. It's also worth noting that there is a subjective element to objective criticism in that different viewers will give different weight to an objective flaw. Some people will see a flaw as ruining a story while others will view it as a minor issue and, in most cases, neither viewpoint is wrong.

These differences are incredibly important to keep in mind when we discuss media. Disliking something doesn't mean that it's bad and liking something doesn't mean that it's good. Acknowledging a flaw in something you love isn't the same as condemning it as trash and finding a flaw doesn't mean that others have to give that flaw the same weight that you do. A story can have objective flaws while still bringing joy even if the flaws are massive. After all, there's nothing wrong with a good, old-fashion guilty pleasure, which I define as something you like, but know is objectively bad.

For an example of these two types of criticism, I'm going to give a very quick critique of Pixar's new movie Turning Red. I was not a fan of this movie, but a lot my criticisms are subjective ones and I'm well aware of this, which is why I thought it would make for a good case study on this concept. I know that the movie is decent and I'm glad that people like it. It's just not for me. Warning, spoilers below the cut!

Subjective Example: Turning Red has too much of a focus on celebrity-style crushes for it to be an enjoyable film. Nothing about that statement is an objective fact. There's nothing wrong with celebrity-style crushes and they're a super common thing for teenage girls. I just never had one and always found the whole concept weird, so I don't like stories that have those types of crushes as a strong part of the narrative. It's good that I know this, because it means that I don't have to try and justify that criticism. I don't have to try and argue that this is a true flaw with the film because it's not. I also have nothing to learn from my dislike for this element of the film. There's nothing that I could recommend as an improvement here. If anything, I can appreciate this movie for giving me perspective on writing characters who are wildly different from me.

Objective Example: Turning Red's climax failed to fully address the conflicts that the movie had set up. This one is a far more objective criticism. I can give a full logic as to why I feel this way based on how the narrative is told and I can discuss how it could be improved.

Throughout the film, Mei's mother – Ming – is constantly repressing her daughter. Mei never actually speaks up about these feelings and instead constantly lies to Ming. A prime example of this is that Mei is able to control her magical powers because of her connection to her friends, but she lies and tells Ming that she can control her powers because of her connection to her parents.

Ming never learns that this is the case. In fact, we never get a scene where Mei and Ming really talk about this conflict. Instead, the climax focuses on a magical fight and, by the fight's end, Ming goes from angry to accepting her daughter. We get some idea that this is because Ming had similar issues with her own mother, but that conflict is never full explored. It's just implied that remembering that conflict made Ming forgive and accept Mei. Also, Mei never has to face consequences for lying to Ming.

All of these things are objective facts that we can discuss in order to see if the climax could have been improved to be more impactful. Like, should the film have cut out Mei's extended family and focus on her relationship with Ming instead? Should the climax have had a flashback style scene like in Encanto? A scene which let Mei understand Ming and made Ming realize that she'd forgotten what it was like to be 13? Should Ming have kept her powers, too? Was the climax fine as is and this weakness feels like more of a nitpick to you? Thinking about questions like that is how you actually improve your writing.

[crashdevlin]

Another Second Chance 18- Therapy

Another Second Chance Masterlist, Happily Ever Eventually Masterlist

Author’s Note: The final (hopefully) installment of the Happily Ever Eventually RPF series.

Summary: Y/n finds herself a new house and Misha is determined to make it a huge project.

Pairing: Jensen x Reader

Word count: 2993

Story Warnings: past cheating, mentions of FFM threesome, not much in this one

~~~~~~~~~~~~

“It’s pretty, right?” I ask, looking around the open concept of the first floor of this $350,000 house.

“Kitchen’s kinda outdated,” Jensen says, pointing at the fridge. “I mean, that fridge has gotta be from when you were in high school.”

“I could buy new appliances, Jay. Get a natural gas stove set up. Install some cabinet pulls, because I’m not a really big fan of this whole lack of elements.” I gesture at the cabinets. “Probably stain it a little darker to go against the flooring. But it’s pretty, right?”

Jay smiles. “Yeah. It’s pretty...and it’s about twice as big as the one you’ve been living in. Which is what you need.”

“Yeah. Walk-in closet in the master, too. It’ll be a good place to put the security hub.”

“Or you could put the security hub in the closet in the den and put your clothes in the master closet,” Jay suggests, grumpy old man in his tone. "And if you're gonna update the kitchen, you gotta update the bathrooms. Get one of those-"

"I am not getting an automatic toilet!" I laugh. "No one needs that!"

"Of course no one needs it but it's freakin' awesome!"

"Okay, Dean," I tease.

"Dean would agree with me. Automatic toilet, with the bidet and the-"

"Dean Winchester would break an automatic toilet and then complain that it's a damn computer which means he can't fix it without help."

Jay laughs. "He'd still think it was cool."

"He'd be down for the heated seat. I will give you that much."

He smiles as he looks around. "So...are we looking at your new digs or what?"

I bite my bottom lip and run my hand over the granite countertop. “Shouldn’t I ask Nova's opinion? It's gonna be her home, too."

"She's a teenager. As long as she's got her own room, I'm sure she's gonna be fine." He sets his hands on my shoulders and smiles. "But you can show her pictures or bring her by before you sit down with the realtor."

I nod and smile. "It's in the right school district and a bigger room for her and for Mav and the bonus room can be an office. I really think it's the place."

"Then get it," he encourages. "Get it, Baby Girl. We can make it perfect. I'm no stranger to a little reno."

"Please," I start, laughing. "A contractor did the work on your old place. Shush."

He looks a little offended. "I helped. I painted. I installed the sink in the half bath off the kitchen."

"Fine. You can stain these cabinets for me." I wink and step away from him. I'm gonna get this house. "Come on." I walk to the foyer where the realtor is waiting and I smile at him. "Can I put in an offer now or should I wait a few hours?" He smiles brighter than the sun.

"You can make an offer anytime, Miss."

Miss. Still young enough to get 'miss'. "Good. Let's do this."

~~~~~~~~~

"Four bedroom, 2 and a half bath, 3200 square feet with an office next to the master bed. It needs some updating and work...had a contractor quote me $60,000 but that's not bad...covers new appliances, too."

"I could come down and help," Misha offers. "You know, a lot of that stuff you can DIY and I can help with most of it."

"You don't have to do that, Meesh."

"Why would I let you spend that much money on something I could help you with for a fraction of the cost?"

"Misha, you really don’t-"

"I'm not letting you tell me 'no' on this. We'll get together some manpower and get this done for you."

He's really not going to let me say 'no'. "Okay. Well, it's going to be several weeks before the paperwork is finished and all that. I'll let you know when it's mine."

"Good. I'll start looking at HGTV.com." Damn it, Misha. Don't be so extra. "And send me pictures and a floorplan so I know what I'm working with."

"Yeah, okay." Really no point in arguing. It's Misha. If I don't send him pics and a copy of the floorplan, he'll just find the house and get them himself off the internet. "I'll send it to you after my appointment tomorrow, okay?"

"Sounds good. Talk to you then."

"Bye, Meesh." I hang up and sigh. He's gonna make it this whole thing, isn't he?

His house in Washington did come out amazing, though, so he does have some skills that will help in this. Eh, why not? Why not get together with my best friend and make my new home my own?

"So, I get to see this house eventually, right?" Nova says, walking into the living room.

I smile. "Come see all these pretty pictures I took and we can speculate on what craziness Misha is gonna come up with." I pat the couch next to me and she comes over. "This is the view from the street." I start showing her the pictures and she claims a room before I've even finished the digital tour.

"Oh, and you're gonna paint the exterior, right? Like, it's pretty but it's yellow. You're gonna fix that, right?"

"Oh, I'm sure Misha isn't going to let me move into another drab house. You weren’t here the first time he showed up at this house but he had opinions about all of it. I didn't let him talk me into reno last time but this time...I don’t know...maybe this will be the forever home so…"

"It's gotta be custom!" Nova exclaims.

"Exactly."

"Can I paint my walls custom? Or get custom wallpaper done? I know that a lot of people don't like wallpaper but I've seen a few places that got it right and-"

"Yeah, baby, of course. We'll figure out something awesome for your walls." I kiss her forehead. We'll do whatever she wants for her room.

"Yay!"

I love when she's happy.

~~~~~~~~~~~~~~~~~~~

It's been a while since I've been in Dr. McCauliffe's office. Life has been in the way...and I guess I didn’t want her to judge me for my involvement with Jensen...which is ridiculous because she's my therapist. She's not going to judge me.

"So." She taps her pen against her clipboard. "What's new?"

"Well...I have been dating Jensen again. I know you saw that in the news."

"I saw it on Mr. Collins' Instagram, actually," she says with a smile.

"Right. The video. Forgot about it for a minute. Um, yeah, like I said in the video and Jensen said in his...spark's still there, we're giving it another chance."

"How's that feel?"

I bite my bottom lip. "Scary as Hell, honestly. I mean, but it's good. I've done pretty good with boundaries and moving slowly. You know, before...we jumped in head first and everything was this intense passion right out of the gate but this time…" I shrug. "I don't know. Maybe we've grown up, or grown old, but…"

"Have you slept with him?" she asks and it's because she knows that sex was a big issue when I was with him before. Sex was all we were supposed to be in the beginning and sex ruined us in the end. I know why she's asking but there's this...well, it's a bit intrusive, isn't it? It seems like she's judging me for being sexually active and I know that's not what it is but my whole spine goes tense when she asks.

"Yes. We dated for about a month before we started getting physical again."

“And how has that been? I don’t need details, of course, but...emotionally, how has it been to be intimate with Jensen again?”

How to answer that?

Really, how am I supposed to answer that? It’s the best sex I’ve ever had, emotionally fullfilling in a romance-novel sort of way. It’s perfect but it does have its scary moments. “Well, we’ve only actually...slept together a couple times this time. His libido is a lot less than it was. I mean, he didn’t have sex the entire time we were broken up, can you believe that?”

Dr. McCauliffe adjusts her glasses and shrugs a little. “I do not. Five years is a long time to go without sex...but you seem to believe it. That’s what matters.”

I never even questioned it. Should I have? No, because he’s been so honest about everything else. “I went years and years without sex after Nate. I believe Jensen did the same after me. He had a lot going on. He was in recovery for alcoholism. He had to be a good father and work on his career and-”

“You just got very defensive, very quickly. Why is that?”

Fuck, I don’t know. I run my hand over my mouth and shrug. “I don’t know,” I respond honestly.

“Analyze it, Y/n. Why would you get so defensive over my disbelief in what Jensen told you?”

“Because I didn’t question it,” I answer after a moment. “Because he told me that the last time he had sex, real full-penetrative sex, was the time that broke us and I didn’t really question it. I took it at face value because we’ve been doing very good about honesty with each other and what if that’s stupid? What if I’m stupid because maybe he’s lying about it and keeping stuff from me and-”

“You said he’s been very good about honesty so far, right?”

I nod. “Yeah. He’s...he admitted to stuff that I never thought he’d admit to and he apologized for stuff and he’s been open about what happened and why. He’s even been honest about little things that he would have lied about before...like I told him about Will and he Googled him. Used to be, he’d keep that kind of thing to himself, never tell me, but he admitted it without even prompting.” I chew on my bottom lip as she starts scribbling on her notes. “I believe him. It might be stupid but I believe him.”

She sets her clipboard in her lap and smiles at me. “It’s not stupid...and he’s likely changed enough that honesty is important to him. You’ve told me that his recovery has changed him. Jared’s told me the same. Now, it’s a bit hard for me to believe that he’s changed so much in the last five years that he would have abstained from sex since the last time he was with you, but...I don’t know the man, do I? You do. Jared does. If you believe him, then don’t let me change your mind.”

“I believe him. You didn’t see the way he looked at me the first time we...‘Reverent’ is the best word for it.”

“What do you think that means for you?”

I scoot back, leaning against the back of the couch. “I think he’s finally got Danneel out of his head.”

“Do you?” she asks and I hate when she asks things I don’t want to answer. “Danneel was a major roadblock in your relationship before, wasn’t she?”

“You know she was. I was so focused on giving Jensen what he wanted...Danneel...that I couldn’t see that I was what he was supposed to be wanting. I wanted to be like her, couldn’t appreciate myself. I know this stuff, Doctor.” I shift on the couch and sigh. “I don’t wanna be Danneel and I don’t want Jensen to be with her. I want Jensen to be with me...I want him to want to be with only me.” I shrug. “Seems like that’s where we are. He doesn’t even talk to her anymore. I talked to her the other day and she didn’t even know why he doesn’t talk to her anymore.”

“You talked to Danneel again?”

“Yeah. We ran into each other at a shop while I was getting Nova a new dress. It...didn’t go well. Nova was very combative with Danneel. I ended up having to...be very honest with my daughter. She knows about everything now...even the night with Danneel.”

“Oh? How’d that talk go?”

“It was...it was good to get it off my chest, actually. It was like the conversation where I told her about, about why her father and I got divorced. It’s like...It was a hard conversation but it was an important one. I don’t have to...hide things anymore and that’s a blessing. She understands why I make the decisions I make now...she understands...the betrayal was a lot deeper than she even knew. She understands that now and...maybe it’ll make us closer, but at least she knows the truth now.”

“And she’s living with you now, right?” I nod. “How did that happen? Nathan doesn’t seem the type to just allow her to do what she wants.”

I snort. “He’s definitely not, but...he fucked up with Jenny, blew up his marriage. I’m actually surprised it took her this long to realize that he was cheating on her, but whatever. Um...Nova didn’t want to be there for the destruction of his way of life and she asked if she could come to Texas. I convinced him to let her come because she didn’t need to see the parade of his affairs that Jenny would bring up. I then used those women to convince him not to fight me on custody when I refiled. It was…” I scratch at my cheek. “It was a low move, but it’s exactly the kind of move he pulled on me, convincing the judge that I was too unstable to care for her. I don’t feel bad about it, especially since she wants to be here.”

“That’s a big change...on top of other big changes.”

“Yep...and there’s more coming. Because I need more room since Nova is living with me, there will be a new home in my future."

"A new home? That's exciting."

"It is. And I am more excited about it than I am scared so that says something."

"I remember how anxious you were about your first house. I remember all the security options you went through."

"Well, security had to be heavy. I had to think about Tom and his crazy-ass fans and the crazier of Jensen’s fans and the paps. There was that one photographer in Vancouver that climbed the balcony outside the condo to get pics of me and Jay, remember?" I shiver at the memory of looking out the French doors to see a man with his camera, snapping away. So intrusive. "I'm gonna have to put up a privacy fence and a coded gate at the new place, too...and, of course, all the security cameras."

"Sounds like a big project."

"Yeah. Definitely. Not even half of it, though. Misha wants to DIY everything."

"Misha isn't your husband, Y/n," Dr. McCauliffe reminds me and I laugh.

"I think he forgets that sometimes. But there's not a lot of use in arguing with him. He's...well, he's right a lot. Like, most of the time, I mean. So, I always cave to him."

"Do you want to do a big DIY project at this new house?"

"Not at first, I didn't but...I dunno. Might be fun. I've never gotten to do that kind of project and knowing Misha, he's gonna make it fun even if it is hard work."

"Well, as long as you can maintain your work as well as this project. How is that coming along?"

"Really good, actually. We started shooting not too long ago...and I hadn't even considered that this project might be detrimental to Midsummer. I'll have to make sure that Misha knows that Midsummer comes first."

"Well, it seems like you've got things under control."

"Yeah? I was afraid you'd tell me I was...going too fast or…"

"Do you think that? You were telling me that you'd done well with boundaries and keeping things-"

"Well, I have! I mean, Jensen was talking about moving in together already and I shut that down and decided to get a bigger place...my own bigger place."

"Jensen wanted to move in with you?" She writes down something on her notes. "And you said 'no'?"

"I said 'no'," I confirm. "I was really proud of myself, Doc. Nova was proud of me, too, actually. Which was...it was interesting and new. I don’t know that she's ever been proud of me for anything and I know that it's supposed to be the other way, where I'm proud of her and I am, of course but Nova being proud of me setting these boundaries and sticking to them...it gives me hope that she'll be able to do the same in her own life, you know?"

"There's nothing wrong with feeling happy that you made your daughter proud and there's nothing wrong with hoping she's going to make different mistakes than you. She's going to do well in life if you keep making the best choices for the both of you." She sets her clipboard on her desk and smiles. "I'm proud of you, too, by the way. Six years ago, you would have jumped at living with Jensen."

"Six years ago, I did."

We finish out our session with a promise to not go so long without seeing her next time. "Mental health is about the maintenance," she reminds me as she opens her office door and walks me to the reception desk. I agree and set an appointment for six weeks out. I call Misha as I start my car, intending to tell him that Midsummer comes before the house project. I haven't even gotten a 'hello' out of my mouth when he speaks.

"I saw the pictures you sent. I have so many ideas!"

~~~

The Kitchen Sink - @emoryhemsworth @flamencodiva @wasabiwitteks @rainbowkisses31 @rissbennett @mariekoukie6661 @officiallyunofficialperson @dolphincliffs @mrs-meghan-winchester @gayspacenerd @foxyjwls007 @ilovefanfic86 @marvelfansworld @f-yeahfandoms @wonderlandfandomkingdom @hhiggs @sev3nruby @hobby27 @paintballkid711 @divadinag @thewhiterabbit42 @fantasymyth-1 @queenoftheunderdark @cosicas-cuquis @superfanficnatural @letsby @supernatural-bellawinchester @onethirstyunicorn @swinchester27 @chalicia @screechingartisancashbailiff @death-unbecomes-you @dayasvalkyrie @paryl @wereallbrokenangels @the-american-witch @that-one-gay-girl @tatted-trina6 @sunshineandwings86 @lunarmoon8 @wheezyeds @vicmc624 @couldabeenamermaid @vulgar-library

[vivisextion]

I first saw Slipknot at age 14.

No one knows how I managed it. I'm not sure I even remember. These days, you have to be 16 or 18 to get into Standing areas. I do know I had to buy tickets on the phone, back in the old days (2005, that is). A singular ticket, too - none of my friends, not even the classmate who had gone with me to see Linkin Park the year before, was that into Slipknot.

But I HAD to see them. This was the Subliminal Verses tour cycle, and Vol. 3 was my first and favourite Slipknot album, even to this day. It's the reliable old warm blanket for my soul whenever I need it. It's on right now, as I write this.

My memory isn't that good, but luckily I unearthed a livejournal (livejournal!) diary entry about the event I made the next day.

August 16, 2005. I went right after school. I went to a very conservative Anglican secondary school, too. I tried not to get caught in the bathroom, as I coloured my nails black with permanent marker (I know, don't laugh) and changed into my standard metalhead baby outfit - Slipknot band shirt, black cargo shorts, and my pride and joy: steel-toe boots I somehow managed to cajole my parents into letting me own.

I caught the bus to the open-air war memorial park where the gig was going to be. I got there at 4pm, 4 hours early. A couple other maggots were already hanging around. I found myself surrounded by tombstones, and I read them all. It was the middle of the Hungry Ghost Festival, too - a very fitting time for Slipknot to pay a visit to this godforsaken hellhole of a small town I lived in. (Especially given the paranormal circumstances surrounding the making of Vol. 3.)

While I wandered around the venue (no security or sound guys were around at all), I spotted two white vans pull up to the stage, in the middle of a clearing. It was them! I spotted Joey and missed him by a hair's breadth. I was quickly ushered behind the stone archway entrance by security then.

(Funnily enough, while walking around, I got mistaken for Joey more than once. I am the same height as him, had the same long black hair, same pale skin, and was wearing almost exactly what he had been. One person claimed from behind, I was a dead ringer, apart from when I turned around, and they realised I was Chinese.)

It was soundcheck time. A sound guy testing the mics would say random things, like "testing one two three two one.... fudge fudge, I like fudge...." The band even did Purity, so us earlybirds were given a rare treat, and we screamed along from the entrance, and drummed our fists on the sides of nearby porta-potties. I hope no one was in there at the time. Whenever we got a glance of any of them, we'd scream and cheer. Finally they left again, but were soon to return.

This was the first time I'd been a part of the metal community. I was barely allowed internet in those days. But here, random strangers were friendly, striking up conversations like they'd been friends for years. Two big guys, called Trevor and Ted, looked out for me the entire gig after, keeping other big dudes from crushing me too much (I'm 5'3, remember). Other people commented on me being so baby, because I was only 14, and said they would take care of me.

When we were finally let in, right after the usher cut the rope, I ran in, screamed "WOOOHOOO!" along with a few friends I'd made. I only briefly stopped to receive this RoadRunner Records compilation CD from a roadie, then resumed running like a madman screaming and dashing into the VIP cage.

I was right up against the barricade - the first time I would ever be at a gig. People from assorted magazines and press took photos of us, and I think I got my photo taken about 10 times at least.

(This is how I got in trouble with my parents the next day. My photo had ended up in a local paper - you can see examples of that here. They had no idea what I'd been to see the night before, and were horrified when they saw what Slipknot looked like.)

We saw Sid filming us from the stage with a camcorder and screamed at him. We saw Jim and screamed at him too, and he flashed the victory sign back at us. I remember Metallica playing at the time, another one of my favourite bands.

The concert was a brutal religious experience I will never forget. People with their arms outstretched, crying and screaming out loud, moving like the devil possessed them.

The new friends around me made sure I was alright after every song! There were huge guys fainting behind us who had to get carried out, but I endured, a tiny 14 year old child. We got a family speech as per tradition, of course. "Are you guys out there all looking out for each other? We're all one big family, and we gotta look out for each other." What Corey said held true - strangers hugged, shook hands, talked, and made friends. I was heartened by how close-knit the maggot community was. It really did feel like a family, and it's felt like that ever since.

Of course, I did my first Jump The Fuck Up. It is possibly the most euphoria I've ever experienced all at one go. (Later, in 2020, I was extremely disappointed that I didn't get to do it again in London.)

They did the death masks for Vermilion, and I remember Chris helping Sid fix his mask and shirt when they'd changed back. Sid hung out near Clown's drums for most of the time too, and hugged him from behind and just latched on at one point. It was pretty adorable.

Fun fact: The version of Eyeless you hear on the 9.0 Live album is from Singapore, as is Eeyore. There are very few photos and videos from the crowd of this gig, because in 2005, very few people had camera phones. The crowd at the Slipknot gig in 2020 was a sea of arms with phones, filming the gig rather than experiencing it. Yes, I'm going to be that cranky old geezer who complains about the good old days.

Joey as usual, was fucking amazing and never failed. However, due to the fact that I was right up front, only his tiny head was visible behind his vast drum set, I couldn't see him the entire gig.

Amazingly, the government told Slipknot they were not allowed to do obscene gestures, curse, vomit (possibly due to the decomposing crow pre-show ritual), simulate humping on objects, throw faeces, or jump off stage (looking at you, Sid). I don't think our totalitarian government knew who they were dealing with, because watch what happens next.

Near the end of the gig, Corey tells the crowd “your government has given us a laundry list of things we aren’t allowed to do, your government has told us we are not allowed to swear”. Crowd goes “BOOOOOOOOO” and Corey goes “BUT WE DON’T GIVE A FUCK!!” And they launch into Surfacing, the last song. Everyone riots. Best night of my life.

You can find the setlist from that gig here. It had everything I wanted and more.

This story later got immortalised when Kerrang asked maggots for gig stories, for an article which came out in 2020. I had forgotten entirely, until people began messaging me to tell me, and one friend sent me a scan of it!

On the way out, I managed to get a shirt. I remember calling my best friend at the time, and got everyone at the merch booth to go "IF YOU'RE 555 THEN I'M 666" for her. This shirt has since been lost to the landfill, because my Christian mother took it upon herself to dispose of it the first opportunity she got. Needless to say, our relationship is not very good.

After that, I even managed to get that Roadrunner compilation album they were giving out signed. The band was staying at the Carlton. Unfortunately, Joey wasn't there, neither was Clown, and Mick was swarmed by guitar nerds so, 6/9 it is. It is a great regret of mine that I'll never have anything signed by him, nor will I ever get to see him perform ever again.

The next day, I went to school, my head swimming. Yes, I went to see Slipknot ON A SCHOOL NIGHT. I was a giant bruise, from my ribs and my chest, to my hips and knees, from being slammed into the barricade like a screen door in a hurricane. Most of all, my sore, headbanged-out neck could barely hold my head up. Classmates thought I had been in a fight. I was torn between battle-scarred exhaustion and hyperactive ranting about the most amazing gig of my short life (it still is, to this day). When teachers spoke to me, I wanted to reply, "Fuck trigonometry! I've just seen SLIPKNOT. Do you not understand that my world is different? Do you not understand that *I* am now different?"

My country was a small, conservative town that Slipknot had graced with their unholy presence. Corey Taylor once said that where he grew up in Iowa had a way of making a 16 year old boy feel like a 36 year old man (or something to that effect). I felt that in my weary bones as a teenager, being from a place just like that. Years later, Watain would run into worse trouble, and wouldn't even be allowed to perform. The Christian stranglehold is stronger than ever. It was a good thing that back then Slipknot had the element of surprise, striking serpent-fast and choking this society by the neck for a too-brief time, before they departed.

After that, my desire to play the drums only grew like a weed. Joey Jordison had, has, and will always inspire me as a drummer, and seeing the beast live (or what little I could spy behind the massive riser) had only spurred me on. I had always been a noisemaker, be it driving my parents mad with chopsticks on pots and pans, or driving my teachers mad with pencils on my desk. But of course, my parents wouldn't have any of it. I'd have to wait a good 14 more years before I'd be able to afford lessons and later, a kit of my own. Better late than never, right?

There will never be enough words to describe the impact Joey has had on my life. And it isn't just Slipknot, either. I could write another essay on his time with the Murderdolls and its influence on my own gender-non-conforming ways. Suffice to say, my wardrobe doesn't look too dissimilar to his during the early Dead in Hollywood days.

I told my boss I could not come into work today. I was grieving. I said that my music teacher died, as I didn't think she'd understand the magnitude of my loss. In a way, it's true. And I am not the only one Joey has nudged on the path to being a musician, that much is certain. To the rest of us, I wish strength and love for you in this difficult time. The best way to honour Joey, who truly loved music, both the creation and appreciation of it, is to pass that gift on. Teach it to someone. He is the reason I picked up the sticks in the first place, and one day, they'll be handed on, the heavy metal baton for the next generation.

And finally: remember that the ones we have lost are never truly gone.

Vinnie

P.S. See if you can spot me in the crowd photos in this post!

[thegothicviking]

As re-entering a link from herzeleid.com never seem to work (??) I usually copy and paste the actual text. Remember a transcription of Flake chatting with fans that I posted from early 00'? Before this Paul had a similar if not the same chat. I have already too long post in tumblr now so it will be broken down in 2 parts!

PAUL CHAT WITH FANS part I

Transcribed by Jeremy Williams

Taken from Rammstein.com chat

October 26 , 2005

_____________________________

Mod: Hello to you all. Thanks for coming out. Paul will be here in just a few minutes. And then we're going to get started.

Paul: Let's go!

niti: +++

Mod: Sorry, there was a technical problem. But the chat will start soon.

niti: +++

**atomrt: how do you chose the sounds for each song because all of them fit perfectly?**

Paul: Thanks a lot! Sometimes that works out well, sometimes not so well.+++

**maria: Your album covers have always sparked a lot of controversy. Which cover is your favourite and why?**

Paul: The cover for Sehnsucht was the most dramatic in my opinion.+++

**Benzramm: What was coming out of the fake penis during the live act "Bück Dich"? **

Paul: That was water with Ouzo to make it milky.+++

**Beurgueur: Good evening, Have you ever thought to write a metal-opera based on rammstein’ story?**

Paul: Hopefully not. We have enough theater elements already.+++

**MafiUndomiel: I was at River Plate Stadium in Argentina, 1999, when you toured with KISS. You did almost surpassed KISS music and show with your impact, and many people was really impressed. I still remember the silence during Du Hast, as Till was singing the refrain. What do you remember of Argentina, of this show? **

Paul: Yeah, that was unbelievable. It's a shame that we can't play in South America this time. Flake was seriously ill.+++

**MafiUndomiel: Did Till write Te Quiero Puta on his own, or had some kind of external help? I know it's not very complicated, nor elaborated in the lyrics, but it's not easy to put two or three sentences together if you don't know the language... believe me! I'm still trying with German!**

Paul: He had some help from his girlfriend and from Flake's friend from Chile.

Paul: But Till can already speak Spanish so well that he only had a few questions about grammar.+++

**monkeyman: What type of gear do you use when recording in the studio?**

Paul: This would take two hours to list. Too much for now. Sorry.+++

**Hugo: Why did you choose almost the same cover for the japanese version of Reise, Reise and Rosenrot? **

Paul: Because we thought it would be a shame to use the cover only for the Japanese edition.+++

**MafiUndomiel: There are many bands that edited DVD and VHS with the footage they got when they recorded their albums, the creative process and all that stuff. Since many R+ fans are really interested in knowing "Rammstein's kitchen", have you considered releasing something of that kind?

** Paul: I filmed some of the footage during Reise, Reise and it will come out sometime on a DVD as bonus material.+++

**blastedop: What happened to Live DVD? It was delayed? **

Paul: Yeah a little bit, but we're going to try to do it this year.+++

**MafiUndomiel: I wanted to know how did you put your setlists together when you go to a country you've never been... you mix old and new material, or you prefer to show your new material above all, and play only the "classics"? **

Paul: We play a mix of both old and new.+++

**Jenna: As you are possibly the most successful band from Germany (singing in German) that you are expected to represent German music and culture to the rest of the world? **

Paul: It was never our plan to play all over the world.

Paul: Sometimes we wonder ourselves how this all happened.+++

**beurgueur: what american film director would you enjoy to make a ckip with **

Paul: Tarantino.+++

**Benzramm: Did you ever get hurt when you were working with fire on the live acts ? **

Paul: Sometimes.+++

**aeon: One Rammstein member said you had a movie project with Werner Herzog. Do you think this project will be carried out and would you like to act in something different from Rammstein videos ? **

Paul: It's been awhile with WErner herzog. Maybe it will work out, there's still a plan to do it.

Paul: +++

**Rammsteinizied: Dear Paul: What is your favorite live performance effect? (like the flamethrowes in Feuer frei or the bow in DRSG) **

Paul: The nose flame throwers that we use in Feuer frei!+++

**MafiUndomiel: Which was your first guitar? Do you still own it? **

Paul: It was a Telecaster copy. A cheap one. I gave away my first guitars at an auction for a good cause. No idea whether it worked out.+++

**Straya: This has been in my mind for a while now, and I must ask. From the sample songs on the official site, it seems Rosenrot might be your 'hardest/loudest' albums, the songs seem 'hard', in a way, like Ich Will, Feuer Frei, and Mein Teil; what do you think of this? **

Paul: I don't think so. There are fewer sequences so the guitars come out better.+++

**Synthema: Do you still feel that being in Rammstein is almost like being in a six-way marriage? Does the band still function as a tight a unit or have things drifted apart? **

Paul: Yeah.

Paul: We're still together. Knock on wood. We've been together for 10 years and now that we've gone through our crisis, we feel better than ever.

Paul: We've got money, success, beautiful women and all the rest.

Paul: Things can only get worse.+++

**Jenna: Do you think your videos help to stop you taking yourselves too seriously? **

Paul: We've always taken ourselves less seriously than many people think. our best friends know this.

Paul: At the moment, we don't feel like making any humouress videos.+++

**whiskeypapa: When writing a song, how many/what kinds of revisions does the song go through before finally making it onto an album? **

Paul: Some songs make it out directly as we conceived them. With other songs, we make 20 versions and they still don't make it.

Paul: +++

**Noora: HI! I'm a fashion and design student from Finland and I was wondering about your stage costumes...How much do you participate in the designing and making of the outfits that you use on your tours? I understand that every album has its own look. Do you first design the outline of the look as a band and hen consult a designer and maker? Thanx and welcome back to Finland! :)**

Paul: Most ideas come directly from the band. For the last outfit, we had the idea to combine Bavarian folkloric outfits with industrial.

Paul: Because Bavarian folklore is not very cool and we like to mix things that you're not supposed to.+++

**Beurgueur: Have you ever thought in what your life would be now if rammstein never was created?**

Paul: No. We don't think that way.+++

**minx: It’s been stated in several interviews that the band has two pyromaniacs in the group, but is there anyone who is not so fond of fire?**

Paul: Everybody in the band has a different specialty.

Paul: Each of us is really equally important.

Paul: It doesn'T matter what each does, it could be better when two are on vacation during preparation and actually help us to make a good video this way.+++

**Badeend: Who thinks of the titles of the cd's? Is it some kind of democraty or is it 1 man that decides?**

Paul: We make the decision as a group but it's not really a democracy. More like a board of directors.+++

**Biz: How have older industrial bands (such as Laibach or KMFDM) influenced you?**

Paul: A lot.

Paul: Also Ministry.+++

**minx: What is the oily black/brown liquid that you are all covered with on stage? Is it a fire retardant liquid?**

Paul: No.

Paul: That's a secret.+++

**minx: Why did you wear a paper bag over your head at the concert in Tallin, last November?**

Paul: I wanted to display an Iraqi prisoner.

Paul: There's a photo of a guy behind barbed wire and he's holding his son but he has a bag on his head.

Paul: That photo really had an impact on me.+++

**aeon: Why do you only do signing sessions in London and Paris? Why not in other big cities f Europe or even Germany? Or is anything planned? **

Paul: Actually we've only planned for Paris. London snuck in at the last minute.

Paul: I don't know any more signing sessions details right now.+++

**Badeend: Did you take gitar lessons or did you teach it on your self?**

Paul: Self-taught.

Paul: +++

**minx: I am going to be at the signing in London on Sunday. Do you enjoy doing those types of promotional events or are they just ‘hard work’?**

Paul: Sometimes it's a lot of fun but other times it can be exhausting.+++

**Synthema: It could be said that the "Rosenrot" photos are quite a departure image-wise from what one would expect from the band. Was this something that was decided by the band for a particular reason, or is this the sort of decision that is out of your hands? Does your management or record label have much control over how you present yourselves, or is that left to you?**

Paul: We don't like to repeat ourselves.

Paul: Usually the band always has the last word on these amtters. But weR'e not always interested in all of the details.+++

**Badeend: What is the new instrument you used in the song Te Quiero Puta?**

Paul: Trumpet.+++

**beurgueur: do you think you'll be on stage again when you'll be 60? (like rolling stones for example...)**

Paul: Hopefully somebody will die first. Then we won'T have to worry about that.+++

**minx: Do you do you all do own make-up for the shows?**

Paul: Yes.+++

**OK-River: Will Rammstein play again "Bück Dich" in a concert, or it is something of the past?**

Paul: I wouldn't say no.+++

**blastedop: Rosenrot is so diferent from Reise Reise. How is this possible if these songs are from Reise Reise recording season?**

Paul: I don'T think so. Listen to the whole album.+++

**Benzramm: Are you a sort of scared when flake is going with his boat in the public ? **

Paul: No.

Paul: But it was always Oli last year.+++

**whiskeypapa: Which of your songs invokes the most emotion from you?**

Paul: Seemann.+++

**MsBehaviour: Greetings from Finland and good evening! My question is, you have been playing together as a band for quite a many years now, and there is a big difference in the sound of Herzeleid and the sound of Reise Reise. Does this "evolution" come naturally to you, or do you make conscious decisions as to where to direct your sound? How do you feel about the change?**

Paul: There are some of us who want to stay the same.

Paul: There's some of us who want to always change.

Paul: These parties fight each other and the result is a new album or a black eye.+++

**MafiUndomiel: Have you heard a cover version of Keine Lust made by a Russian guy called Miguel? What did you think about it?**

Paul: Not yet, unfortunately.+++

**Badeend: Do you have a private jet or do you have to rent a plane?**

Paul: When the record company pays, we fly Business. When we have to pay, it'S Tourist class. Sometimes, when the connections are difficult, we rent a litlle jet.+++

**luna: First "Snow White" now "Rose Red". Do the members of Rammstein have a fondness for fairytales?**

Paul: Who doesn't?+++

**Synthema: Do you still enjoy performing live after all these years, or is it more of a chore now?**

Paul: If we didn't like it, we wouldn't have been around so long.+++

**Benzramm: Is there a double meaning in the songtexts of your songs ? **

Paul: Yeah. But the subtleties and double-meanings get lsot in translation.+++

**Badeend: What is your favorite song or cd?**

Paul: Kill Bill 1.+++

**DRS2G: Is "Hilf Mir" inspired by a Heinrich Hoffmann's tale?!**

Paul: Yes.+++

**Synthema: Have you ever felt that the success of Rammstein has been a negative thing for you in your personal life? That it makes it difficult to decide who to trust and who not to?**

Paul: It is difficult to stay normal despite money and success.

Paul: We fight this on a daily battle but we usually win.+++

**Beurgueur: from a viewer: what guitar do you use for your c tuning, and what guitar does richard use for this?**

Paul: I play a Gibson Les Paul and Richard plays ESP guitars.+++

**Benzramm: Did you really go to the mountains for the videoclip "Ohne Dich"?**

Paul: Yes. The was the funnest video of them all.

Paul: The thin air up there was difficult.

Paul: I'm impressed by mountain climbers who go even higher.

Paul: It was difficult for our crew and us.+++

**MafiUndomiel: how did you and richard decided who was going to be lead and who rythm guitars?**

Paul: Good question.

Paul: We're both stubborn.

Paul: It's a fight every time but we're still doing alright up to now.

Paul: Actually, the winner is supposed to be the one who plays the best solo.+++

**Badeend: Do you still have to take guitar lessons to play better?**

Paul: No.+++

**blastedop: Do you visit fansites? How about a Top 10 Fansites in the official page?**

Paul: From time to time.+++

**Badeend: Why did you pick just that girl for the Texas vocal in Stirb nich vor Mir?**

Paul: It was our producer's idea.+++

**MafiUndomiel: Paul, is there any country that you´d like to visit or going on tour, and you haven´t yet? Why?**

Paul: Yes, we would love to go to Turkey, Mongolia, Iraq. We know we've got lots of fans there.+++

**Jenna: Which current musicians (Not youselves, I'm sorry) do you think are creating the best work at the moment?**

Paul: System of a Down, Muse, Snoop Doggy Dog, Eminem, Slip Knot, etc.+++

**Rammsteinizied: Dear Paul, How do you feel about us fans?**

Paul: It's an honour.+++

**Minx: Do you have a favourite guitar part in a particular song you really enjoy?**

Paul: +++

**DRS2G: Will "Rosenrot" be the 2nd single from your new album?!**

Paul: Yes.+++

**Straya: I'm wondering how this question has not come up yet... but, plenty of people are asking if you guys will tour in America and Canada. I don't mean for this to be one of those annoying questions. But, has anything be talked about?**

Paul: I'm certain that we'll tour North and South America with our next album.+++

**rammsteinuk: I read in a recent interview that there were some arguments within the band during the production of 'Mutter'. Have there been any more strong disagreements like this since?

**Paul: Thankfully not. There's always stress when six stubborn people meet, but nothing serious.+++

**minx: Most influential musician on yourself?**

Paul: Laibach, Ministry, Metallica, Nirvana.+++

**blastedop: Did you like Benzin video? Schneider didnt.**

Paul: I don't think it's that bad.

Paul: We've had three really good videos in a row, so it'S hard to keep the standards so high.

Paul: I'm glad that there's some variation, next time we'll improve.+++

**whiskeypapa: First, Reise Reise saw a "country moment" with Los, and now Rosenrot has Te Quiero Puta. If you could make a fusion of Rammstein and any other world music (for fun), what would it be?**

Paul: Yes, I interested in all combinations of things that don'T fit together.+++

**Biz: Are there any downsides to being famous?**

Paul: We're famous but we can still buy groceries in Berlin without bodyguards.

Paul: We've got nothing to complain about.

Paul: Our band is famous around the world but we still have normal lives, thank God.+++

**minty: Paul are you looking forward to the world cup next year? who will win?**

Paul: Yes. It doesn'T look good for Germany right now.

Paul: I hope that a miracle happens.+++

**aeon: Do you hope your music will still be appreciated in many years from now or it doesn't matter to you ?**

Paul: I think that we're relatively timeless.

Paul: But that'S probably what every band thinks and two years later nobody cares ...+++

**DRS2G: Was it good to be directed by Jonas Akerlund?!**

Paul: Yes, he's just a cool guy.+++

[eagles-translated]

Analyzing the writing of Eagles

Here's a post I've been wanting to make for a while! I've expressed my thoughts on some of the storylines in previous posts, but I've never done a complete post on the writing of the whole show. I've divided this post into separate parts, focusing on each season and its plot points. Keep reading to see my analysis of the writing in Eagles! 👇 Word Count: 18k

If you've stumbled upon this post from the Young Royals or the Beartown tag (tagged them since I've drawn some parallels from those shows), here's a brief summary of what Eagles is, which you can watch with English subtitles here. This post contains Eagles spoilers from 1x01 - 3x10.

Eagles is a Swedish TV show that revolves around a few teenagers living in the Swedish ice hockey town Oskarshamn while experiencing friendship, love, and rivalry on the ice.

To start this off I would like to say that I have no experience with professional screenwriting and if anything, this is just a way for me to procrastinate on actually writing my own projects.

I love experiencing new stories and when I discover one I really like it's just natural for me to branch off with "what ifs" and to start wondering how the story would've turned out if some things were changed. Sometimes it's with a storyline improvement in mind, and other times it's just out of plain curiosity.

You might feel like this post is leaning towards the critical side, and I can definitely understand why since there are a lot of small details that I've picked apart from all seasons. I added a section for each season with things that I thought were really well done so this post wouldn't be too negative.

I actually did enjoy all seasons and I feel like the quality of not just the writing but every single thing has steadily increased each year.

Season 1: Tropes and clichés

Eagles premiered its first season in 2019 and was, despite many negative reviews, a big success among its target audience. Every episode on SVT Play amassed around 700 000–800 000 views and there didn't seem to be any doubt that the show would get renewed.

What the critics had issues with were that "Eagles rarely takes the unexpected path, and feels like a slightly soulless product of studied target group thinking a little too often," (Karolina Fjellborg in Aftonbladet) and "In Eagles, the characters seem to be locked in the role of a "teenager" but the humanity is missing. They've simplified the construction of the character," (Django Lorentzson in MovieZine).

Eagles was unfortunate enough to constantly be compared to SKAM in its infancy, and that's a tough comparison to live up to. SVT sort of shot themselves in the foot as they were the ones who contributed to it. While the show was still in the casting process, SVT wrote an article hyping the show up as a Swedish SKAM (which has since been edited, but led many to falsely believe that it would involve all the familiar SKAM characters with some hockey elements sprinkled in).

So, why exactly did critics think the first three episodes of the show were predictable and soulless? Well, it's pretty simple. They'd seen it all before. The setting, the characters, the storylines—just in different TV shows and movies.

Season 1 for me is nostalgic and very enjoyable despite its clichéd nature. I also felt like I'd seen the show before due to its generic storylines, but there is a reason why tropes are tropes and why clichés are clichés. It's because they're tried and true, and actually somewhat good writing tools as long as you expand on them. The keyword here is to expand—a story doesn't magically become good simply because you mimic something another writer has done. Tropes are fine to use but you can't just apply them and stop there. Everything in a story needs to be developed in order to be good.

It's safe to say that it's pretty much impossible to write a story without any tropes that have been used before. Striving to avoid clichés at all costs in hopes of making your story as original as possible is harder than it sounds, and almost impossible to boot. Here's a great piece of advice for aspiring writers written by a user on Carvezine:

[...] if you look down at your story and are worried it’s already been told before – don’t spend another second thinking about it. It has. A million times. The only difference is that it hasn’t been told by you. Accept that regurgitation is part of writing, and just do your best not to regurgitate the same way as the guy next to you. We’d all do well to acknowledge there is at least a portion of our stories that are really someone else’s. [...] Beyond that, write with the motivation that if you don’t get around to telling your story, eventually somebody else will.

Even the greatest books have storylines with some clichés. And that's not really a bad thing, either. Think about it. How many times have you decided to binge a TV show solely because it reminded you of another series? Or picked up a book simply because you love a good enemies to lovers romance, a battle between good and evil fantasy, or whatever it might be?

I found this article from Masterclass that perfectly describes what tropes are and why they're used. It's written from the perspective of novel writing but it is still applicable.

A trope in literary terms is a plot device or character attribute that is used so commonly in the genre that it’s seen as commonplace or conventional. For example, a trope in superhero stories is a villain who wants to take over the world. Tropes are popular for a reason—if something has been written about over and over again, there’s a good chance that it’s something readers enjoy reading! Tropes can be helpful, but a novel made up only of tropes will quickly start to feel stale and predictable to readers. That’s why you need to read up on tropes—and then innovate. Deliberately taking a favorite trope and turning it on its head is a great way to put your own unique spin on the genre and keep your readers interested.

Eagles, in its first season, didn't really do a lot of expanding upon the tropes they used and it's understandable that they were still trying to find their footing. I can also imagine it's difficult to do so when you only have eight 20 minute episodes in the season.

However... There definitely should've been more work put into these characters to make them their own. It's tricky, yes, but still achievable if you don't abandon them in their cookie-cutter form and try to actually decorate them with something unique and fresh.

So, how did they write their characters?

Felicia's character and backstory

To start off, Felicia is a famous influencer known for starring in a reality show next to her former NHL professional father. There's already a clear disconnect because it's hard to relate to a character with such a public past and large following. But it is 100% possible if you let the viewer know the character has humane qualities just like the person watching the show.

Look at Wilhelm from Netflix's Young Royals, another Swedish TV show. Wilhelm is the prince of Sweden, set to attend a prestigious elite boarding school, and is the heir to the throne. That doesn't exactly sound like a relatable scenario, does it? And yet the writers make it work because when we're introduced to Wilhelm we realize he's just like everybody else. He wants a normal life, he latches on to his older brother for support, he has anxiety, and he struggles between following his heart versus doing what his family is expecting him to do. A lot of these factors are relatable among the audience.

So, let's look at Felicia Kroon. She is in many ways portrayed as the main character of the show. Eagles starts off with her family having moved to Oskarshamn and the following episodes focus on her developing relationship with Ludde as well as her traumatic past. There's almost too much focus on Felicia here, and I'll get back to that.

Comparing Felicia to Wilhelm from Young Royals, they're both well-known teenagers with famous parents. Of course they have different circumstances considering Felicia is Instagram popular and Wilhelm is a blood royal, but in the grand scheme of things they're similar. Felicia is even referred to as a "Kroon princess" because of her last name Kroon bearing a resemblance to the Swedish word kronprinsessa, meaning crown princess.

The students of their respective schools treat their attendance as a big deal when they first arrive and then Wilhelm and Felicia start spending time with the "popular" crowd despite not really fitting in there.

I personally found it easy to relate to Wilhelm but difficult to relate to Felicia. Some people may feel differently, but her character is basically a popular party girl who attracts the attention of one of the school's star players and is "welcomed" by the popular crowd on her first day of school. I put welcome in quotation marks because Klara, the leader of the girl group, isn't exactly the most welcoming person but she does welcome Felicia to the school. My point is, Felicia doesn't have a lot of relatable traits in the first episodes.

Felicia then goes on a date with the guy she's met, Ludde. Okay, so there haven't been that many layers to her character yet. We're at the third episode and so far she's been kind of flat.

Near the end of the third episode, we get some depth to the character and we hear her back story.

Felicia: [...] We don’t have a good relationship, my dad and I. And that’s probably why we moved from the beginning, because he’s an idiot. We’ve never been close, but… Elias and he have been since they’ve had hockey. [...] And mom has been really involved, so… And I… They’ve never really cared about me. And… And I haven’t really been a problem either. I’ve had good grades, good friends, and… I don’t know why I’m telling you this. I don’t talk about it to people. [...] I just felt so fucking lonely and invisible. I was worried all the time, couldn’t sleep, panicked because I couldn’t sleep… So I started going out more. It went overboard. It started affecting school, my grades slipped… I started taking things to be able to concentrate. Everybody does stuff like that. And then I still couldn’t sleep, so… I started mixing with sleeping pills. And there’s always wine and booze at our place. I don’t want this to come out, that’s really important. Ludde: Of course, I’d never tell. Felicia: One night, something happened that made me… Act out of control more than usual. I woke up the next morning in the hospital. So they sent me to rehab. It was really rough for mom and dad that I was suddenly in focus. When I woke up, dad wasn’t even there. Ludde: What made you take too much that night? Felicia: I’d forgotten my phone at home, so I ran up and got it while my friends were waiting in an Uber. Then I came into the hall and I heard noises. You know, like, when somebody is doing it. Ludde: Okay. Felicia: And I thought it was really weird because mom wasn’t home. So I went into the living room… Dad was fucking my mom’s best friend. On the rug below the couch.

This gives Felicia more layers and does separate her from every other "popular pretty party girl" trope that you see on TV. But this is a huge info dump, and that's a problem. I would've liked to see this happen on-screen instead of only being told what went down. The golden rule of Show don't tell, as people like to say.

Show, don’t tell is a writing technique in which story and characters are related through sensory details and actions rather than exposition. It fosters a style of writing that’s more immersive for the reader, allowing them to “be in the room” with the characters. In his most commonly repeated quote, Chekhov said, “Don’t tell me the moon is shining. Show me the glint of light on broken glass."

This back story could've been more impactful that way if, perhaps, the show began with Felicia in a hospital bed with a strong headache and hazy flashbacks of that night where she saw her dad sleeping with another woman. Then we're introduced to her mother and brother sitting next to the hospital bed tired and worried, and Felicia notices her dad isn't present. They tell her Felicia is being sent to rehab and then there's a time-jump before we see the Kroon family having moved to Oskarshamn.

That's just an idea I threw together at the top of my head, but you get my point. It would've been more interesting if we knew from the beginning that Felicia had a traumatic past like this, leading the viewer to want to know more about what actually happened.

We did get a brief flashback at the very beginning of the show—we see Felicia partying with her friends and taking some pill before lying unconscious on the ground. There's also a glimpse of Ludde's car accident with Andreas yelling at him to get out of there.

That segment only lasts for around 45 seconds and it's easily forgettable upon your first viewing of the show. It's also hard to even recognize Felicia in the dark nightclub setting with the flashing lights. Some dialogue in that short scene could've made it more memorable, because I found that when I first watched season 1 I remembered Andreas yelling at Ludde despite that being drowned out by the music.

Ludde's backstory was way more well-done, in my opinion. We see him having crashed the car and bleeding from his head. He looks terrified and almost frozen by fear, needing to be pulled out of the car by a panicked Andreas yelling at him to bring Ludde back to the reality of the situation. We see Andreas yelling and pointing, telling Ludde he needs to run now. It's more powerful when we get to see it.

And in episode 8, when we learn the truth of what happened, it's not a long and dragged-out monologue. It fits into what's going on in the story. Felicia and Ludde have known each other for a few months now and are much closer than they were on their first date. They've had disagreements and fights, but at this moment they're in a good place.

And it feels like the right moment for Ludde to come clean about what happened to him.

Ludde: Hey… There’s something I’ve been meaning to tell you. Felicia: What? Ludde: About… My brother. It’s not really as everybody thinks. Felicia: What do you mean? Ludde: That night when he crashed… It wasn’t Andreas who drove the car. We were on our way home from one of his buddies. We’d had some fun drinking. And then… I’d just started learning how to drive. So I nagged and nagged at him. Felicia: So you were the one driving? But he’s an adult- Ludde: He was drunk as hell. He was going to leave the car, but I thought it was so cold and it was only three blocks away so I thought that I could drive. Felicia: And what happened? Ludde: It was slippery and really dark… And a car came. I hit the brakes in time, but it… Yeah. Right after he pushed me out of the car and yelled that I should run home straight away. He really didn’t want me to get into trouble. So, yeah… It was fucking bad luck. I want to just gather everybody and scream that it was me. Felicia: Hey… I love you. Ludde: I love you too. I love you so fucking much.

As Ludde is telling Felicia what happened as the other car came, we see a silent flashback of it along with Ludde's voice narrating. We see Andreas pulling him out of the car and yelling. Cutting to this scene that we've already seen in the beginning but might've forgotten about is a smart choice and makes the story Ludde is telling more real. We see it unfolding as Ludde is telling this to Felicia. It's a powerful scene.

We then see Felicia hugging Ludde from behind, a sign of support with no words needed. She tells him she loves him and Ludde says it back. It's an honest and sweet moment that comes at a perfect time in the story. It's not too early like Felicia's backstory was.

I sort of understand why Felicia's backstory was info-dumped because it was right before the drama of Mats accidentally spilling the beans to Klara's family. They wanted the audience to know what happened to her early, so they could move on to the plot point of Felicia thinking Ludde was the one who told everybody.

But we don't need every single detail of Felicia's story. Let it come organically. The only thing that was really needed was for Ludde to know that Felicia had struggled with drug use and was sent to rehab for this storyline to work. The reason why could've been saved for later, and it would've made for a more interesting reveal. Maybe just have Felicia allude to seeing something that night, but don't tell the viewers right away what it was.

In 1x06, Felicia is incredibly upset when she hears that her dad was the one who told Klara's family what happened to Felicia in the US. And rightly so.

Felicia: Don’t you get it? You ruined everything! Mats: What? Felicia: You told the whole damn town about me! About the US! Mats: I really didn’t mean to disclose you- Or disclose us. Sorry. Hey, sorry. Flisan, please. Hey. Felicia: Did you tell them you fucked mom’s best friend too? Yes, I saw you.

If this had been the moment where we first find out what Felicia saw, it would've been more surprising. Our reaction would've mirrored Mats's, and it would've been more heart-wrenching to know that Felicia was traumatized by an affair her dad had only to be cheated on herself in the very same episode.

Ludde's problematic nature

One of the scriptwriters of Eagles, Fanny Ekstrand, was interviewed in the behind-the-scenes documentary Edvins Skådisdrömmar. In this interview, she states:

Ludvig, he's the one who's been the easiest to retain the personality of. Because he's so... He's calm and friendly, but he makes dumb decisions. Ludvig isn't a typical hockey guy. He has a bunch of other qualities—music being one of them.

I found myself slightly disagreeing with this take, despite knowing Ekstrand is literally a part of the writing team and most likely helped shaped Ludde's personality. I just interpreted Ludde's character (at least in season 1) differently.

I also didn't find him that much different from any other typical hockey guy just because he happens to have another interest. That's a bit like saying Archie Andrews from The CW's Riverdale isn't a stereotypical jock because he also plays the guitar.

In season 1, we see Ludde break into the rink because he wanted to test out the ice. He just loves hockey that much. He also uses it as a way to express frustration and anger, which we saw in 1x05. He flirts with the new girl in school and in the beginning he even uses it as a tactic to gain a position on the main hockey team. This was confirmed by the creator Stefan H. Lindén in his Q&A, where he said:

My idea has always been that Ludde was blown away by Felicia and that he really likes her but that they both initially interacted and met to go swimming because Felicia knew it would piss her dad off and Ludde knew that it might throw Elias off since they were competing for the same position in the team.

I would say that the characteristics of a typical hockey guy would be someone like Adam—obsessed with the sport, flirting with girls, going to parties, and just spending a lot of time in the rink. Ludde checks off all of these points. However, I will give this the benefit of the doubt since season 2 Ludde seems to change a lot and it's easier to interpret him as the calm and friendly guy he was supposed to be in season 1.

So to me, Ludde wasn't calm and friendly at all. In season 2, yes, but when we're first introduced to him?

Ludde shows anger issues and violent tendencies in 1x05 when he head-butts Elias and breaks his nose. It's violent and messy. He then yells at Felicia to leave when she's trying to communicate with him and belittles her drug problems solely because she's rich. To me, Ludde wasn't a nice person in 1x04 either when he let his friends make suggestive comments about Felicia and what she was like in bed.

Omar: I can tell you one thing - you’re not borrowing my towel today cause I don’t know where that dick has been. Adam: It’s nice when she sucks, right? Omar: Can’t you tell us some more, does she bite you or is it just really, really nice? [...] Adam: Is that what you sound like when you’re coming? What does she sound like?

This was described as "locker room talk" and the writers probably wanted to show an authentic view of what being a hockey player is like. I understand that. But it's a little problematic when it's later swept under the rug and treated like something that we're just supposed to accept.

Elias: [...] it’s not very fun to sit in a hockey locker room where people are talking about how nice it is to fuck my sister. Felicia: Ludde would never say anything like that, you know that. Elias: He wouldn’t? It’s a locker room, Felicia. That’s the only thing they talk about.

It did not sit right with me how Felicia seemed to be the one Elias blamed in this scene, and Ludde and his friends never faced any real consequences for what they said. Elias did lash out at Ludde, but there was no severe consequence for Omar and Adam's comments.

Compare this scenario to another Swedish show, Beartown on HBO. Beartown is similar to Eagles and focuses on a hockey team in a small town with one of the star players hooking up with a girl who's recently moved to their small town.

This girl is raped by the hockey player. And because of his status as the star of the team, he has almost the whole school behind him. The girl however is labeled as a lying slut. It's unfair and frustrating to see it happen, but it's authentic and done in a way that doesn't glamorize the ugly side of hockey culture.

Eagles is not as dark as Beartown so this comparison might be a little unfair. Beartown's whole storyline did revolve around this incident while in Eagles the hockey culture is treated more as a side thought. It's like they decided to throw in a taste of what goes on in a locker room just to create drama without really addressing it further.

Beartown did a much better job of portraying the problematic and toxic elements of hockey culture without making it seem like it's just something normal that we should accept. It was honest and raw. If you haven't seen the show, this short video does a great job of depicting how much thought was put into the toxic hockey culture, winning mentality, and subsequently hockey players thinking they're entitled to do whatever they want.

So, to respond to Ekstrand's quote from Edvins Skådisdrömmar—I did not experience Ludde as a "good guy" who only makes dumb decisions at all. In season 1, he's a bad person for letting his friends sexualize a girl he likes and letting her brother hear their disgusting comments. He's a bad person for fighting with her brother and later yelling at her, saying her drug issues are insignificant despite acting supportive of her only two episodes earlier.

I don't mind conflicts like these because they drive the story forward. I didn't particularly like Ludde in season 1 because of the reasons I just stated, but they're necessary to create drama and make the show interesting.

It's just weird to me how one of the writers is saying that Ludde is a calm person and a good guy when that is not at all how I interpreted his character.

Eagles is a show targeted towards a young audience, among them probably a lot of easily influenced pre-teens. What kind of message does this send to them when the guy letting his friends sexualize a girl he's slept with and on top of that laughing at their inappropriate comments is referred to as the good guy?

Klara is mean... What else?

From the moment we're introduced to Klara, it seems obvious that she'll play a living and breathing version of the infamous Alpha Bitch trope. She's also a prime example of the basic Popular is Evil trope and has her own Girl Posse consisting of Sara and Amie.

Klara feels threatened by the arrival of a potential new popular girl, Felicia, and does everything in her power to bully Felicia to show dominance. She barely shows any good sides of herself.

The only instance I can think of where we sort of see season 1 Klara in a positive light is when she talks to Amie in 1x05 about their friendship and then accompanies Amie to her audition for the school band.

Klara: Ever since Felicia started at school… It’s felt like you only hang out with her and that you’ve forgotten about me. She like took you from me. Amie: But I haven’t forgotten you. Klara: No, but do you get what I mean? Amie: I get it, but I haven’t forgotten you. Klara: No, I know. Amie: I know, but it just turned out that way when school started. Klara: Okay. Amie: But I’m sorry. Klara: It’s fine. Amie: Are you sure? Klara: Yeah. You can make it up to me when you go on your world tour.

Klara is really supportive of Amie's musical endeavors, but she also uses her support as a way to alienate Felicia from the girl group. It's very on the nose and kind of feels suffocating in the way it's written.

Klara: Amie, did you remove the clips? Amie: Yeah, she said they weren’t good. Klara: She’s just jealous. It’s so obvious. I mean, I’m jealous. You sing absolutely amazing. I don’t know, I just think it was really rude of her to sit in the cafeteria and criticize you like that Amie: Yeah, maybe. But she apologized. Klara: But still. That clip of you in the bathroom… Like… Sorry, but I’d be so mad if someone had posted something like that of me. I mean, you were standing there without makeup, completely non-fixed up. And the whole thing with her filming you without you knowing. That’s really weird. You don’t do that. Don’t you think so?

I'm sure there are plenty of people who act like this in real life. And maybe that's part of the problem, because Klara in season 1 really isn't an interesting character. We've met this person before and we know exactly what she's like. There's nothing new to discover. So season 1 is essentially just Klara being petty and rude every chance she gets, and to me it felt like a large part of her character was written just to stir up drama.

In 1x06, we see Klara backstab Amie by filming her making out with Ludde at her Halloween party. But I thought it was established in 1x05 that Klara feels like Amie was taken from her? And if Klara actually cared about Amie and didn't want to lose her as a friend, she wouldn't just stand by and watch with her phone recording the whole thing. It doesn't make a lot of sense.

Klara even made that whole point about how it was really weird of Felicia to film Amie without her knowing. So why would Klara do it, when she expressed that's weird and not something a normal person does? Is that supposed to be foreshadowing? Because if so, that's a clear contradiction and not how foreshadowing works.

When Sara happens to see the video on Klara's phone she immediately says that Klara should delete it.

Sara: What is that? Did they know you were filming? Klara: No, of course they didn’t know. Sara: Oh my god, Klara. You should probably delete it. Klara: I’m going to! But it’s crazy, right? Sara: Yeah, god. But seriously, delete it. Klara: I’m going to.

So Klara says she's going to delete the video. But it's still unclear why it was filmed in the first place if Klara insists that she's going to delete it. It's not like she filmed it just to show it to Sara either, since Sara wasn't meant to see it and only saw it by chance while swiping through Klara's photos on her phone.

It doesn't make sense for Klara to film a video like that of her best friend that she's supposed to care about. It doesn't make sense for Klara to film a video of anybody without their knowledge when she previously made a big deal about how you shouldn't do that.

What Klara's character is, is a bad attempt at the classical mean girl. She's clichéd, boring, and full of tropes.

Even her eventual character development is riddled with tropes like the Heel Realization where a character realizes they're actually one of the bad guys. This realization seems to come in 1x08, where Felicia calls Klara out on her behavior.

Felicia: You know what, Klara. I’m so fucking tired of your fucking comments. You didn’t get to be Lucia this year. Poor you! Was dad unable to fix that? Cry then, Klara. Cry. You’re so fucking mean. Everybody here is tired- Everybody here is scared of you. Even those who liked you once, they can’t take it anymore. Klara: That’s not true. It’s not true. Felicia: Yes, everybody is scared of you. You know what? Look around. Show people some fucking respect. Klara: Well say something, Amie! Amie: What is there to say? She’s right.

Klara needed a wake-up call like this. It's just unfortunate that she goes back to her mean girl behavior and posts the video after Amie insinuated that Klara wasn't a real friend. Klara already knew that Amie felt that way since she said Felicia was right in her assessment of everybody being scared and tired of Klara. So wouldn't it have made more sense for Klara to post the video right after that moment instead of during Amie's performance?

Or rather, why not pull a Subverted Trope and not have Klara post the video at all after she realized how horrible she'd been acting? That would've made me respect her so much more and be a great introduction to her character development in season 2.

The Halloween Incident

To me, the whole Halloween episode was questionable. First off, we never got actual confirmation of what happened in that room between Amie and Ludde. Some viewers insist that they only made out and others believe they went all the way. Here's what the creator of the show, Stefan H. Lindén, had to say about this in a Q&A post he did:

I think if you went into the writers room of Eagles and asked all of us what really happened in that room [between Ludde and Amie at Klara's Halloween party] we would all have different answers.  I know what happened, but I’m not sure we will ever truly know for sure, unless Ludvig or Amie eventually are open enough to admit to anyone what really happened.

This is kind of a vague answer, but that's fair considering that when Stefan did this Q&A the latest episode that had been released was 2x05 and he probably didn't want to spoil anything. However, looking back at this answer knowing how the season turned out I still feel like it's unclear what happened. It's also strange that Stefan seems to be saying that they never actually decided what happened between them since the writers "would all have different answers".

1x06 was just an odd episode for me overall. Lots of things felt rushed and underdeveloped. Let's not forget that this episode also contained, in my opinion, some of the weirdest lines in the whole show (along with Elias's strange monologue about plague vampires).

Ludde: Hey, I only have like 3%. Do you have any power? Adam: Are you wondering if I have a power bank in my shorts? It’s coming-

Ludde: I like shellfish. (said to Amie, wearing a lobster costume)

Up until this episode, Ludde has shown zero interest and attraction towards Amie. We are basically told that Ludde only hooked up with Amie because he was so drunk that he practically had no idea what he was doing.

In 1x02, we see a drunk Amie try to kiss Tobbe and upon getting rejected she moves on to make out with Adam. She gets overly friendly when she's drunk so the fact that she makes out with Ludde later is... Weird, but not entirely out of the realms of possibility.

Ludde on the other hand is moping about Felicia all night. He regrets how he yelled at her at the end of 1x05 and it shows. He's trying to drown all his problems in alcohol and it seems to be working, because when it enters his system he seems to be on top of the world.

What I found kind of ambiguous in this incident was if Ludde even remembered what happened that night. He was drinking so much compared to Amie, who doesn't really need as much alcohol before she reaches her "overly friendly" state. I thought for sure that Ludde was oblivious to the situation when he woke up in his bed the next day and immediately messaged Felicia.

There are just so many questions to unpack here that were never answered. What prompted Amie and Ludde to go into that empty room? Why did Ludde come with her? Why didn't Adam seem to care about this, when he'd been sitting next to Ludde and taking care of him most of the night? And as I wrote before, why would Klara film this video of her best friend when she previously expressed that was a weird thing to do?

There's just too much in 1x06 left unanswered. The Amie/Ludde hook-up was a badly executed plot twist because there wasn't anything hinting that this would happen. It just came out of nowhere.

Unbalanced screentime and Elias's wasted potential

A large portion of season 1 was dedicated to Felicia. This was kind of a let-down for me since I thought more focus would be placed on Eagles as a hockey team (after all, that's what the show is named after). I also thought more attention would be on Elias since he's the talented star player who's supposed to live up to his father's legacy.

The show starts with a couple radio hosts hyping up how Elias Kroon, son of the legendary Mats Kroon, is going to join the Eagles hockey team.

Host #1: [...] It’s finally official. New center in the junior team - Elias Kroon, son to the legendary NHL-pro Mats Kroon, who has now chosen to move home from the US to his hometown where Elias will play in his father’s old club Oskarshamn Eagles. Host #2: This is so freaking cool. Who doesn’t want a Kroon on their team? Host #1: We hope that he’ll take a spot on the A-team.

But we don't learn a lot about who Elias actually is in the first episode. The attention is on Felicia and her interest in Ludde.

Elias is so discarded that he barely has anything to say in the first couple of scenes we see him in. Here are all his eight lines in 1x01, and I'm not even joking.

Elias: Yes. Elias: Shut up. Elias: Ow. Elias: It's fine. Elias: Really? Elias: Fucking hell. Elias: I'll stay here. Elias: No, it's fine.

In 1x02 he has even fewer lines. Three, to be exact, and all he says is that his injury is a sprain and that it's fine. Essentially just an echo of two of the lines he had in the previous episode. It's nothing new.

There's a way to have a character stand out when they don't have many lines, but Elias just fades into the background with every other extra. There's too much time spent on having other characters talk about Elias than us actually getting to know him. So when we do meet him, it's pretty underwhelming.

Compare Elias to his sister who gets so much more attention from the writers. I don't really understand why either, since I thought Elias was a much more interesting character than his influencer sister. Felicia's character only seems to revolve around a guy. I wonder how many times we've seen that before?

In 1x02 we see the Eagles hockey team play their first game, but Elias is unable to play and has to sit in the stands for what was supposed to be his debut match. Why? Because during a hockey practice session in 1x01, Adam rams his stick into Elias to purposely injure him. I mean, fair enough. Adam is trying to get Ludde on the main team since he and Elias are competing for the same position. The shot of Adam smiling after Elias sprains his wrist is a bit too on the nose, but whatever.

What this does is minimize Elias' presence in season 1 by a lot. We don't see the son of the legendary NHL professional play an actual game until 1x05, which is more than halfway into the season. It's kind of disappointing but I understand the injury is done to dramatize his situation.

Elias barely gets his own storylines in the first few episodes. He just has things done to him instead of acting on his own. When we do see him on screen he gets injured by Adam, reprimanded by his father, and later told he can't play in his debut game.

His sweet side (or any side of him, really) isn't shown until 1x03 when Amie wakes up at the Kroon house and Elias reassures her that they didn't do anything together and that she can borrow Felicia's clothes.

Elias doesn't really do much for the plot until he hears Ludde's friends objectify Felicia and he starts a fight with Ludde and confronts Felicia about it. That's when it feels like Elias is actually a part of this show instead of just being an extra shoved into the background. His actions are finally affecting the plot.

Elias's potential in season 1 was hugely wasted. The only episode where we actually got to see him shine was 1x07, when he travels to Karlskrona with Amie. We find out he doesn't want the hockey arrangement his dad has planned for him and that he's actually a pretty goofy guy who likes making jokes (and eating green candy).

If less time was spent with Felicia and the distribution of every episode's 20 minutes was more balanced, season 1 could've been massively improved. It got much better in season 2, but season 1 suffered and made many people think that Felicia was a basic and unentertaining character.

The side characters and their comic relief

So one thing that I found really disappointing with Felicia's amount of screentime is that we barely got enough time for the other main characters, let alone the side characters.

What I mean here is that the only people we really know on the Eagles hockey team are Ludde and Elias. Ludde's friends, Adam and Omar, just feel like comic relief sidekicks. We don't really know what they're like, besides the fact that they like to make jokes and mess around.

This issue is largely created by the short running time the episodes have along with season 1 only having eight episodes in total. That's definitely understandable. It did get better in season 3 where we see Ludde having a deeper conversation with Adam and Omar and they finally don't just feel like the comic relief characters, but actual people with layers.

Ludde: I’m going to quit hockey. Adam: Are you serious? Omar: What the hell are you saying? Ludde: It’s not the same anymore. I’m not passionate about it. I… Yes, it sucks, but… I’ve thought about it for a while now. Omar: We make jokes about it and all, but… Yeah. It wouldn’t be the same without you. Kingelikingen. Adam: I get that it’s a tough choice. But yeah… You’ll work things out. You and Felicia. You always do. Ludde: You guys are pretty awesome sometimes, actually.

This scene was really sweet, and I wish we could've had moments like this between the guys in season 1. Just one scene to show that they're not just the "typical hockey guys". It feels like Ludde was the only person on the team in season 1 who wasn't just a background character. Even Elias, who you would assume should be at the forefront, isn't properly developed until 1x05 where we see him defending his sister and starting a fight with Ludde. Otherwise, it very much felt like Elias was kept in the background.

There are also guys on the team called Herman, Simon, Näslund, Ekbäck, Hoffmann, Berglund (even Montell, which was a fun nod to the show's director)... But who are they, actually? Do you even remember their names? To be honest with you, I don't. Because they're just names—not actual characters.

None of the other guys on the team get any depth. They're just sort of there as extras and to give the audience a sense of comedy with their "hockey team shenanigans". This was illustrated in 1x08, where Adam and Omar make their teammate Liam do a "sexy dance" on a table because he lost his virginity. Or a more extreme example—Jönsson, who only exists to be the comic relief and the unlucky guy who just can't catch a break.

In 2x04, Jönsson is told by Jack to do extra time in the gym and gets told off when he only spends a few minutes on the exercise bike. Later, Jack also makes a joke about how he should get Jönsson a defibrillator. In 2x09 Jönsson invites Ludde, Adam, and Omar to come to his mom's place to hang out. After he's left, Adam makes a comment about how there's no way he's going to "rot" in Jönsson's apartment that doesn't even have a balcony.

Don't get me wrong, these scenes aren't bad and I don't mean they should've been scrapped. Comedy can absolutely have its place in a show like this. Let's take the scene where Ludde flashes a couple of unfortunate old ladies on his first date with Felicia as an example. It feels like something a teenage boy would do to try to make a girl he likes laugh. It's a brief scene and it's nice to see Ludde being able to goof off only moments after talking about Andreas. We know that's a touchy subject for him.

However, it feels slightly overdone sometimes with how almost everybody on the hockey team is only there for comedic purposes and to fill space. It's more refreshing when they're shown to be multi-dimensional. I wish this is something that the writers would've considered when the show is literally titled after the hockey team, yet most of the hockey players are hardly in the story.

To add to this, it felt like Sara and Tobbe completely disappeared from the story in season 2. With Sara we understand that she probably didn't want to hang out with Klara anymore after knowing she filmed the Halloween video and posted it on Instagram, so that's fair. But it would've been nice to see Tobbe stick around in season 2, and I'll get back to why I think that.

The potential of season 1

When I look back on season 1 I feel really nostalgic. No matter how many small details that irked me, I can't deny that the setting of the show is beautiful and I really appreciate the depiction of it. Instead of showing Oskarshamn as a boring small town, we're shown the beauty of it which is incorporated into the storylines.

Some examples would be Ludde and Felicia's first date at Gunnarsö and walk through Havslätt, the gorgeous view of the Oskarshamn harbor from Klara's house Villa Högklint, and Badholmen where the school band performs and we later see Elias and Amie walking by in season 3. All these places are listed on the Eagles Oskarshamn site and I feel like they did a great job tying the storylines in with the locations.

Another aspect of season 1 and its writing that I really enjoyed was Elias and Amie's budding relationship. They just have a natural chemistry together and the dialogue between them also felt authentic and sweet.

Season 1 is just a very polished teen drama overall compared to some of SVT's previous series.

Back in 2007-2010, SVT used to air a soap opera-style show focusing on a few teenagers living in Gothenburg that was called Andra Avenyn (translation: Second Avenue). I was only seven at the time but I watched this show religiously as it aired three times a week. Just mentioning the show brings a lot of nostalgia.

Andra Avenyn amassed around 500 000 viewers per episode and was, just like Eagles, nominated for a Kristallen television award. But how good was it, really? If I take off my rose-colored glasses for a second and actually consider the show's highly dramatized storylines and unlikely scenarios, it had a tendency to drag on (which usually happens with soap operas). It didn't offer a realistic view of teenage life and on IMDb it currently sits at a rating score of 5.6 stars out of 10.

Comparing this old teen series to SVT's newer one, Eagles season 1 was a huge improvement and continues to be the most popular teen series that SVT has aired so far.

This idea and all the characters have lived in Stefan H. Lindéns mind since 2008, while Andra Avenyn was still on the air. It's actually amazing how high the quality of most TV shows has risen since then. Eagles has a rating score of 7.4 out of 10 stars on IMDb and has become internationally known in a way that Andra Avenyn never was.

Eagles season 1 laid the groundwork for SVT's most successful teen series of all time, and that's a huge achievement.

Season 2: "Subverting expectations"

When Eagles came back for season 2, the script made it kind of obvious that the writers had listened to the critique of season 1 being predictable.

I did find season 2 a huge step up from season 1—the directing was so much better and when it came to the script we got a deeper look into all the characters that they hadn't really scratched the surface of in the first season. My main disappointment however was that it felt like they threw in a bunch of weird plot twists just for the sake of "subverting expectations".

The core idea of subverting expectations can be great if done correctly. You lead the audience to believe they know what's going to happen, but then you surprise them with an unexpected and clever twist.

A post in Cinematography written by Mason Leaver defines the phrase of "subverting expectations" as:

[...] a method of surprising the audience with some element of a story, be it the plot, themes, characters, etc. This goes beyond a “twist” in a film. Expectation subversion actively works within the genre of a story, and attempts to reinterpret or subvert the conventions of that genre, breaking patterns in surprising and interesting ways. However, this method of surprising the audience is not always well received- it can sometimes be the source of heavy criticism from fans of the tropes which have been subverted.

This included "unexpected" relationships such as Elias/Klara and Amie/Ludde. The former actually worked, but the latter? Not so much.

Amie's crush on Ludde—make it make sense!

Amie and Ludde were my biggest issue with season 2, and it felt so out of character of Amie to be head over heels for Ludde. They work great as friends but romantically they're a huge mismatch.

But they have music in common, I hear you say. Yes, they do. But having a shared interest doesn't mean people are automatically a good match. You have to consider their chemistry and overall compatibility.

Before actors are cast in a show or movie where their characters will be romantically involved with each other, it's common to do what's called a chemistry read. Here's a neat description from an article in Backstage written by Caroline Liem:

Chemistry is the complex emotional or psychological interaction between two people. If this were a romantic article, it would be about love. Instead, we are discussing the astonishing rapport between two actors, and how that connection is achieved in order to book [...] the role. A chemistry read is an opportunity to read with actors being considered for a role opposite yours, usually lead roles. The main purpose is to see how you instinctively connect and work with the other actor.

This obviously wasn't done for the actors playing Amie and Ludde, since there didn't seem to be any intention of having their characters be involved in a romantic relationship.

That was even confirmed by Stefan H. Lindén in his Q&A of season 2, where he said that a love triangle between Ludde/Felicia/Amie was planned but later scrapped.

I can confirm that from the beginning of development of the series and the first version of the storyline a triangle drama was at some point intended for season 1 but later removed  – however when creating the characters, Ludvigs skill in music and arts was always there from the beginning so by knowing that, we always knew that interactions would appear between them. When looking back at Season 1, in the first scene by the lockers when Amie tells Felicia who Ludvig is, she does know exactly who he is and she is well aware of that his friend Tobias is a music guy that Amie wants to get to know. Also when looking at it, when I was the same age as Ludvig and Amie I, and I am sure a lot of people can relate to it, fact is that we never really knew if it was love or friendship in the beginning.

Knowing that the triangle drama was scrapped for season 1, it makes sense why it seems so arbitrary. There was no groundwork laid down for this pairing before it was hastily thrown together in 1x06 for a cheap plot twist. This continues in season 2, where Amie and Ludde start spending more time together. Yet it's hard to see Ludde as a potential love interest for Amie in the way the writers want us to. They still come off as friends despite having hooked up at a party.

I mentioned that Tobbe should've stuck around for season 2 and here's why. Tobbe was written to be the leader of the school band that Amie later joins, and he was friends with Ludde before the video was posted. He would've been a perfect fit for the Amie/Ludde music storyline but he's completely absent. He had the potential to be the person who could've helped them with the song a little and then later picked up on whatever there was going on between them.

I think the Amie/Ludde storyline could've hugely benefitted from a scene between Amie and Tobbe, where Tobbe asks if she actually has feelings for Ludde and we get to hear exactly what Amie is feeling. Maybe she's torn, not wanting to get together with Ludde because of how much they hurt Felicia, but at the same time finds it hard to suppress her feelings. A scene like that would've allowed us to get into Amie's head and make the Amie/Ludde storyline much clearer.

To add, this storyline was in desperate need of more interest from Ludde's side. There needed to be some indication from him that would make Amie believe he liked him back, even if that wasn't the case. All we get is Ludde complimenting Amie's song and then a hug in 2x05 when Amie says the record label in Stockholm wanted a meeting. And apparently, that was enough for Amie to think Ludde was interested in her despite him blowing off the Stockholm meeting and Amie hearing Ludde say that the Halloween incident was a mistake.

Ludde and Amie don't really mesh as well as Elias/Amie do or even as well as Ludde/Felicia do. Elias and Amie had sparks flying from the very first scene they shared. That pairing is one of the main reasons why the show became popular internationally, and why is that? Because of the actors' chemistry.

Amie and Ludde are a clumsy attempt at throwing together two people who don't really work together with the intention of "subverting expectations". And I suppose that's what the writers wanted to depict—an awkward crush that doesn't really make sense, which I'm sure many people have experienced as a teenager. That part is fine. But what I didn't like about this storyline is that Amie had no good reason to believe Ludde would be interested in anything with her beyond a platonic friendship.

While season 2 was airing, I was convinced that Amie wasn't actually in love with Ludde. She was just lonely after the aftermath of the Halloween video and mistook her feelings for Ludde as love when she just appreciated his company. Here's what I wrote:

So as we know, Amie kissed Ludde in episode 6 when he was in the hospital after having been injured during the hockey game against Karlskrona. She immediately seemed to regret having done that and ran out without an explanation, leaving Ludde alone and confused. I honestly don’t think Amie has any romantic feelings towards Ludde. I think she might mistake her feelings for a crush or something, when in reality she’s just lonely and appreciates Ludde always being there for her and giving her compliments on her musical ability. Ludde was complimenting Amie at the hospital, saying she was amazing, and I think Amie was just really touched by that and maybe wanted to thank him somehow, and ended up kissing him. And then she freaked out and left because oh my god did she really just kiss Ludde. It was an uncomfortable and awkward situation and that’s probably why she ran out. However, I really believe that if she had just stayed to explain and apologize, Ludde would understand and they could’ve just laughed it off. But this is a drama show so of course that wouldn’t happen! Do I think the writers are making them into a couple? No, definitely not. They know that season 1 was sort of predictable and cliché, so they’re making season 2 as different as possible by including these unexpected pairings such as Klara & Elias and Amie & Ludde. But Amie and Ludde won’t ever be a couple, because Ludde is still very much hung up on Felicia. I don’t see them as a couple either - yes, they have music in common, but they work way better as friends than in a relationship.

In Edvins Skådisdrömmar, which is a behind-the-scenes documentary of Eagles season 2, writers Fanny Ekstrand and Michaela Hamilton discuss the writing of the show in the documentary's third episode. The third episode is mostly focused on the lead-up to the scene where Amie kisses Ludde at the hospital. Adrian Öjvindsson, who plays Ludde, says:

Filming the kissing scene was [...] awkward and weird, actually. And that's how it ended up. Yandeh and I haven't really had any intimate scenes. In this case you could take in that it was weird, because that's also what the scene wanted to depict.

When Edvin reads the script, he describes the scene as a "nightmare" scenario. I agree. And the lazy build-up to this Awkward Kiss trope doesn't make it any better, because just like the Halloween incident this doesn't make a lot of sense.

It's supposed to be awkward and weird, just like Adrian said. But he also mentioned one of the most important details: Yandeh and I haven't really had any intimate scenes.

Before this kiss scene, there was nothing that indicated any chemistry between them. No accidental hand-touching, no longing stares, no nothing. Just a friendly hug. A proper build-up to the kiss scene would've made it feel less out of place.

The love confession from Amie to Ludde in 2x10 really threw me off as well. The confession to me made no sense and honestly felt like a prank call. There was no feeling behind it and zero reason for Amie to believe that there was a chance Ludde liked her back.

At the end of 2x08, Felicia goes to Ludde's house after he's confessed the truth to the police about the Andreas situation. Amie happens to overhear the conversation and she hears Ludde very clearly say that he's not interested in Amie.

Ludde: Felicia, there’s nothing between us. Between me and Amie. It was really the biggest mistake of my life. Felicia: Goodbye, Ludde. Ludde: Felicia, please!

Amie, now having her heart broken, crosses Ludde's name off the contract while crying. She knows he doesn't feel the same. So why would Amie even bother to call Ludde up to tell him she's "in love with him"?

Amie: [...] Hey, Ludde… Ludde: Yeah? Amie: It feels really weird to hear our song now. Because I know who the lyrics are about. And… And I… I really like you. Or, well… I’m in love with you. I just need to know how you feel. Or if you feel anything. Just tell me. Ludde: I’ll always want to be your friend, Amie, but… It’s Felicia I’m in love with.

This moment is on par with the awkwardness from the hospital kiss between them in 2x06. The second-hand embarrassment with this one was really rough, and what I don't understand is why this was even added to the script when Amie had already gotten the confirmation that Ludde didn't think of her in a romantic way. This storyline could've ended in 2x08 after Amie overheard the conversation between Ludde and Felicia.

It really didn't need to drag on for the whole season, essentially making Amie's whole storyline in season 2 about a guy. Her moment of finally getting signed to the record label was ruined when it could've been regarded as a fresh start if the storyline had just ended where it should have.

What this storyline did instead was ruining my favorite friendship of season 1, which was Amie/Felicia. This mess made it so hard for them to reconcile and they didn't end up properly addressing it until 3x09, spending almost two whole seasons mad at each other. It sucks that the writers decided to drag out their fighting and disagreements for this long when they could've instead shown two girls in solidarity who don't let a guy get between them and their friendship.

Amie apologized in 3x03 for how she hurt Felicia, but Felicia made it clear in 3x06 that she still harbored ill will towards Amie for what happened at Halloween (which in the timeline of this show was more than a year ago).

Felicia (to Amie): Are you going to start slobbering with [Elias] now too? Just give me back that sweater first, I don’t want slobber on that. Thanks.

I talked about how much I disliked the Amie/Ludde storyline in this post, with my main reason being that it really messed up the character dynamics that were established in season 1.

This storyline [of Ludde and Amie hooking up]—along with Amie falling in love with Ludde—is by far my least favorite one because it messed up the whole character dynamic. I feel like Amie and Felicia won’t ever go back to the kind of friendship they had in season 1 before the Halloween incident because the trust was so broken, and Amie really should’ve tried harder to apologize to Felicia like Ludde did instead of going after her best friend’s ex in season 2.

If there's just one thing I could change about this show, I would 100% get rid of the Amie/Ludde storylines. There is nothing that annoyed me as much as those storylines did.

Amie's musical ambitions

I've talked about this a bit before in another post because this was something that really bugged me about Amie's character in season 2. Here's what I wrote:

I honestly still feel like Amie’s whole storyline with sending in a rather basic demo written by two teenagers with little to no experience and then getting praised on it [by the Stockholm music producers] with comments such as “it’s going to be a real summer hit” felt so unrealistic to me. Maybe they only said that so Amie would accept their offer or something, but that’s still very strange because she would have still said yes without a doubt. I can understand that they thought Amie was marketable as a person and there was this bonus with her having gone viral before on Felicia’s Instagram, but that demo did not seem good enough for me to be immediately released as a single and then have them decide on the spot that Amie would be given a contract. I mean, come on. It never felt earned because we never really saw Amie struggling with her songwriting journey to achieve this dream. Sending in one demo to one record label and having them immediately want to make a whole album with you just doesn’t happen in real life unless the song is extremely good or you have a very unique voice. Amie is really talented but there are hundreds of people just like her, if not thousands. I was never convinced by her getting signed so quickly in season 2. I understand that they wanted to establish her as a successful artist [at the beginning of season 3], but that felt so rushed. I was so sure that the record label would screw her over and steal the song rights to record it with another artist who was already established, and that we’d have to see Amie work even harder to achieve her dreams. But we didn’t get that at all. Where was the struggle? [...] Of course I wanted to see Amie achieve success (and I was happy when she did), but the journey there was so bizarrely easy. She didn’t start to seriously work on making her music career become a reality until season 2. Amie had dabbled in music prior to that, like when she auditioned for the school band and did that performance of Follow, but she didn’t truly start to work towards it until season 2 when she decided to have her work sent to professionals in the business. And then, just five episodes later, she gets contacted by the record label in Stockholm. To put this into context—season 2 took place somewhere around March, and episode 5 around three weeks into April. So when Ludde first started helping Amie it took less than two months for her to get signed. You could argue that the song was just that good or that Amie is just that talented, but it never felt like a realistic storyline to me.

It's tricky to write a storyline like this when you only have ten 20 minute episodes in the season and a limited amount of screentime for every character. All that is understandable. But it's strange that they didn't opt for a time jump to really sell this storyline and make it believable.

Eagles uses time jumps a lot, but somehow this particular plot point was omitted from that and kind of glossed over. I don't really understand how they expected us to buy this storyline. The viewers aren't stupid, and more effort should've been put into this storyline.

In the post where I wrote this, @gajana18 also had an interesting thing to add:

[...] it's equally unrealistic that this huge record company would be hounding Amie, a teenage onehit wonder essentially to come back to the label- don’t they have other bigger artists?

This is a very strong point. Considering how Amie kept expressing that she wanted to finish school and then proceeded to ignore their calls, it's weird that they didn't just decide to discard her contract when Amie clearly wasn't taking her singing career as seriously as they wanted her to.

So, back to season 2. Maybe they could've gone with the record label stealing the rights to Amie's first song and screwing her over. This fuels her to try again and after a time jump of a few months we see Amie having worked really hard on a new and better song. Maybe even a whole album. And this time, she's learned from her past mistakes and improved her songwriting. This time, she's successful in her endeavor and it feels so much more earned after knowing the struggles she's been through to get there.

I also feel like a storyline like that would've made people sympathize with Amie more in season 2. It was really hard to root for her when she had nearly screwed Ludde over by not giving credit to his songwriting and saying "fuck him" when he didn't return Amie's feelings.

Klara's character development

When we're introduced to Klara in season 1, she's a stereotypical mean girl with wealthy parents who is the popular girl at school and has her own followers.

In season 2, the writers decided to develop the character. We find out Klara has issues at home and her mom is barely there. When she is, her parents will start fighting. Klara is feeling really lonely and doesn't really hang out with her friend Sara as much as she used to.

I appreciated the added depth, but it seemed like a drastic shift. The changed perspective could attribute to that but when you step back and really look at s1 Klara and s2 Klara, they're like two completely different people.

Maybe Klara's reputation suffered after she posted the Halloween video? Maybe she had a change of heart after Felicia finally confronted her during Lucia? I mean, I guess.

But what most fans (including me) didn't like about Klara in season 2 was that there were no clear consequences for her after she posted the Halloween video. Klara still hangs out with what seems to be the popular crowd and she has people to go out with. In a post I wrote last year about my thoughts on season 2, I wrote this:

I actually wish that Klara would’ve become more ostracized from her school friends to emphasize how alone she is, but she seems to still be pretty popular so that was kind of disappointing. I thought the fall-out of her posting the video would be worse, but I guess not. Anyway, I like that they’re taking a disliked character and making her into a better person. Feels like it’s been done a few times before, but I still appreciate them doing it. I hated s1 Klara for being so one-dimensional, but s2 Klara is well on her way to being a pretty good and nuanced character.

Her character development sort of comes a little out of nowhere, though. Her reputation wasn't ruined by posting that video and she didn't really lose any friends besides Sara (she had already lost Amie prior to posting that video considering what Amie said to her after Lucia in 1x08).

So what prompted Klara to become this whole new person who actually considers other people's feelings in a relatively short amount of time? Here's a conversation between Felicia and Klara in 2x07.

Felicia: Was there anything in particular you wanted to talk about? I understand that we’re not best friends just because you and Elias are together. We’re not here without a reason, right? Klara: No, I get that this feels weird for you. And if you don’t trust me after everything that’s happened - or that I’ve done. Felicia: Klara… Klara: I know that I haven’t acted like the world’s best person. And I regret that. Sorry.

But why does Klara regret her past behavior? What made her realize she hadn't acted like the "world's best person" if the ramifications from posting the Halloween video were so minimal?

Was it the relationship with Elias that made Klara change? No, I don't think so. When they first start talking at the bar in 2x03, Elias tells Klara that he doesn't always agree with Felicia and that he has his own viewpoints. In 2x07, he says Klara wasn't the one who messed up, but rather Amie and Ludde. And in 2x09, the script tells us that the Elias/Klara relationship seemed to bring more change to Elias rather than Klara.

Felicia: What did you do to him? Klara: What? Felicia: He’s smiling. Elias is like a whole new person since he met you. Klara: Stop. Felicia: I mean it!

So what made Klara change? In 1x08 she's mocking Felicia's drug problems and posts a video that will for sure ruin Amie's reputation. But at the start of season 2, she's suddenly become more withdrawn and considerate of people's feelings.

I can only name one factor that actually makes sense, and that's the fighting between her parents. Klara seems to turn into this quiet child when she has to listen to her mom and dad yelling at each other. This is something that didn't really begin until season 2, when Ola's company GECED started going under. This storyline was very well done.

But the other things, like Klara's reputation and friend group which you would assume would be affected, remain as they were in season 1.

Jack's sudden character change

Jack came into season 2 as a charming and charismatic character, seemingly fooling everybody into thinking he was a good guy. He knew the Kroon family from before and both Felicia and Elias were none the wiser when it came to the eventual reveal of his true colors.

Here's what Stefan H. Lindén had to say about the Jack character in his season 2 Q&A:

Bringing Jack in was actually originally not my idea, it came from my writer colleagues after that they revised my storyline notes for Season 2, while I was still down in Oskarshamn shooting Season 1. We had always intended for a character to come in and raise the stakes but I never imagined it to be Jack. When we started to develop the character, we all started liking him so he was kept in the story. Like with any new character we never really know who they are and what [the] point of them for coming in is [...]

Personally, I feel like the point of Jack's character is pretty obvious. When he first comes to Oskarshamn he is very much the embodiment of the new love interest coming in to date the girl who has broken up with her previous lover, while the previous lover still loves her and does anything he can to get her back although she's dating someone new. Jack is the Romantic False Lead trope who later becomes an alpha-dog Jerkass.

What I found interesting about Jack compared to Klara (in season 1) is that Jack isn't just a bad guy. He's very clever with his manipulation tactics and can easily charm people with his good looks and charisma.

When Felicia accuses Jack of cheating in 2x07, he manages to spin the whole thing around and make Felicia apologize to him and say it was stupid of her to believe he would cheat on her. I talked about this in a post while the season still aired, before Jack's true colors were revealed. Here's what I wrote:

I still don’t know if Jack really is cheating on Felicia with Olivia (the girl that texted him) but I would say he is. Jack is incredibly confident and charming, which makes him able to easily lie and manipulate people. We know he’s not an entirely good person since he’s already lied to Elias about not knowing that Mats would bring him back to Eagles. I wouldn’t be surprised if he really did hook up with Olivia and ended up being a really good liar. The fact is that not only did he deny it but he then shamed Felicia for blaming him and causing a scene, ultimately shifting the focus in the argument to her and making Felicia feel bad that she even confronted him in the first place. Jack says that maybe they shouldn’t even be together, which causes Felicia to backtrack and apologize. It’s actually pretty impressive how Jack was able to spin that around to blame Felicia and make her apologize.

Jack is able to take a small detail and use it as ammunition to get what he wants. In this situation, he brings up the girl in the Stockholm club that Felicia partied with and also kissed.

Jack: You shouldn’t accuse me, either. Felicia: What? Jack: I saw on Instagram, you and some girl in Stockholm. Have I whined about that? Coming here and blaming me for things, it feels really immature. Felicia: Fuck. Sorry, Jack.

Jack wasn't bothered by that at all. It happened before Felicia and Jack were even an official couple, and all they had done was hooking up at a party while Felicia was high. Jack, having cheated on Felicia, couldn't care less about the random girl Felicia kissed. That was just something he used to manipulate her.

When we discover that Jack is actually cheating on Felicia, he immediately reverts to a one-dimensional "evil" character. He's become the 2.0 version of Klara in season 1—written in just to stir up drama.

This "master manipulator" version of him just goes down the drain and Jack turns into a manchild who starts petty fights, files a police report because Ludde pushed him, and says to Felicia "I'm gonna tell on you!". Alright, maybe those weren't his exact words, but you know what I mean. It's a sudden shift and you start wondering how Jack was able to hide this version of himself so well before.

In 3x05, Jack sees Ludde and Andreas after a hockey game and fumbles trying to find any insult he can to hurl at Ludde. Everything he says from that point on is just line after line to really solidify that Jack is the bad guy. You didn't forget that, right? Here, let's have Jack call Felicia a druggie so you know just how shitty he is. And have him call Andreas a junkie later for good measure—there, that should be enough for people to understand that Jack is the villain here.

Jack: Johansson! Ludde: What the hell are you doing here? Jack: What does it look like? Ludde: I guess it’s you I should thank for the victory. Nice work. Jack: What is Felicia doing these days, then? Does she miss me? Ludde: Hey, you’re shutting up now, do you get it?! Jack: Jesus Christ. Do you think you can save her? What do you think she even sees in you? You two play in different leagues, Ludde. Ludde: You have no idea what we’re like. Jack: Come on! You should leave her. While you can. She’ll just pull you down into the dirt with her. You’re no hero, Ludde. Isn’t she still doing drugs? Once a druggie, always a druggie, right?

Jack is a horrible person, but at least he was able to pretend to be a good guy in season 2. And that was actually really fascinating. I wish we could've seen more of Jack's manipulative side that he showed in season 2 instead of making everything coming out of his mouth be a half-assed attempt at insulting the other person. That's a pretty boring villain, in my opinion.

Jack's backstory of his father being an alcoholic and him starting to resent the whole Kroon family because they had everything growing up while he didn't is interesting. It would've also made more sense if his anger was only directed towards the Kroon family since they're the ones he grew up with. They're the ones he was after the whole time.

His anger towards them feels cheapened when Jack also starts insulting Andreas (who he's probably never met before) for no good reason. It's like Jack's human qualities are just gone and all that's left is this empty shell made to start fights. His backstory didn't really make anybody sympathize with him, either.

The improvements of season 2

What I liked about the writing in season 2 was that they explored new ideas and had some solid storylines (besides the mess that was Amie and Ludde). Elias and Klara actually worked pretty well as a couple, even if they were pretty much the 2.0 version of Felicia/Ludde as the "wealthy, popular pretty girl starts dating the star player on the sports team".

Felicia finally gets some more depth. The scene at the end of 2x02, where Felicia and Leila park their car near the harbor and just start crying, is so powerful.

2x05 is also one of my favorite episodes of the show, as well as the ending montage of the 2x10 season finale. In Gameday, we had a very touching scene between Felicia and Mats where they finally communicate. It's not the most understanding conversation but it's a start. It's an interesting contrast between their talk in 1x06 where Felicia revealed she saw Mats cheating on Leila versus the talk they're having now.

Another one of my favorite scenes is when Felicia and Ludde meet up at their bench in 2x10 after Ludde has called her up asking Felicia to come if there's any chance of them getting back together.

The dialogue is simple and to the point. There's no long-winded love confession for the sake of drama. It's a moment that the whole season has been building up for, and when we finally get there we realize that this is how love should be.

Easy and simple.

Ludde: You came back. Felicia: Yeah, I did. Ludde: Do you remember our first date here? Felicia: No. I’ve forgotten. Ludde: I was so freaking nervous. Felicia: Everything you said… Did you mean it? Because you hurt me, Ludvig. And I… I’ve really tried to hurt you back, but… It’s not possible. I can’t… Not love you. Do you think… Do you think it can be us again? Ludde: What do you think? Felicia: I don’t want anything else.

Ludde admitting how nervous he was on their first date is sweet and shows us how much they've been through. Felicia is struggling to find the words to say and she's acknowledging how hurt she was, but still can't seem to find it in her heart to hate Ludde. It's honest.

Another plotline that I think was a little underrated in season 2 is the GECED company going bankrupt and Ola, Klara's dad, is under investigation for financial crime. This isn't a storyline you would usually see in a teen series. It's much more serious. It also gave us a really touching and poignant scene in 2x08 between Ola and Klara sitting on the floor of his office, where Klara has to comfort her father who starts crying.

Ola: When you were little you used to sit like this. On the floor, while I was working. You had your own room, but you wanted to sit with me. “Help daddy work”. Mom’s doing the right thing by leaving for a while, don’t blame her for that. Klara: What, you can’t just leave because things get a little tough. Ola: Maybe you should get away for a while too. You know, I never wanted you two to… That you… Everything’s gone. Klara: It will be fine. It will be fine. Ola: Sorry. I’m sorry.

In 2x09, Klara is at a party when she notices a bunch of missed calls from her dad. She immediately senses something is wrong and rushes home to find her dad having attempted suicide. It's executed very well and I really liked the more serious tone they went for in season 2.

It set up season 3 perfectly, which continued with the darker themes but balanced them very well with the more light-hearted moments.

Season 3: Finding one's footing

Season 3 was a highly anticipated season. I thought the season 2 finale was masterfully done and it left me wanting more. When season 1 finished on its cliffhanger of the video leaking, the focus only seemed to be on that.

But with season 2 there's Felicia/Ludde getting back together and Ludde having been sued by Jack, Jack threatening that he would leak all of the Kroon's family secrets, Klara's dad passing away, Elias deciding to get on the train and go to the draft combine anyway, Amie having finally become a recording artist but being isolated and heartbroken... There's so much to unpack, and it's a lot more interesting than the ending of season 1.

Where's Jack?

Jack is supposed to be the main villain but he's gone for most of the season, failing to show up until 3x05. In the season 2 finale Jack makes a huge deal about how he's going to destroy Felicia's life. He's threatening her in a very violent and abusive way.

Jack: [...] I know a lot about you, Felicia. And your nice family. It’s enough for me to leak to one news site. I can destroy you. Do you get it? I’ll tell them everything. The drugs, the cheating, your abortion! Felicia: Shut up! Jack: Hey. Huh? Did you seriously think I wanted to be with you? The little Kroon princess, who has gotten everything for free her whole fucking life! You and Elias! Like spoiled brats! You don’t understand what it means to fight for something!

In 2x10, Jack decides to report Ludde for assault but he doesn't follow through on destroying this family that he hates. If there's anything Jack seems to despise above all, it should be the Kroon family, right? So why did he fight back with Ludde but not the Kroon family?

I expected Jack to leak all the Kroon secrets at the beginning of season 3, but Felicia seems strangely calm at the funeral which I'm assuming only takes place two weeks or so after Ola's passing in the season 2 finale.

Then, a whole year passes with no indication that Jack is ever going to leak anything. As season 3 was airing, I commented on how strange this felt in an ask I received:

One of my main questions about the time jump is the whole thing with Jack saying he was going to ruin Felicia’s and the Kroon family’s reputation in the press. It seemed like nothing really came of that? I’m pretty sure that detail hasn’t been abandoned entirely and that Jack will come back (we’ve already seen a glimpse of him in the third episode), but it feels strange that Jack threatened to leak all her secrets and then just never did. I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him. And yet there’s no mention of where Jack has been during that time or what he’s been doing. I feel like I would be pretty paranoid about this if I was Felicia, but we don’t see this haunting her until episode 3 when she sees a flash of Jack before realizing it was just some random guy. It seems strange that Felicia was relatively at ease during the funeral (which I assume took place not long after Jack first threatened her) and after the time jump. We don’t really know what’s been going on during that year, but Felicia seems to be fine and like she hasn’t had any thoughts of Jack at all. Maybe she assumed that his threats were empty and that he wouldn’t actually leak anything to the press, which is reasonable but at the same time I don’t understand why Jack has yet to do anything after a year. He was really pissed off in the season 2 finale, after all.

Going to repeat one of the things I wrote here because it deserves to be mentioned twice, and this point is one of my biggest issues.

I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him.

I feel like this was kind of a plot hole that wasn't explained. Jack is ruthless and doesn't hold back at all when his true colors come out. He has no problem talking about the sexual relationship he had with Felicia in front of her father. Jack is just that horrible.

So what prevented him from ruining the Kroon family's lives earlier, when it seems to be the thing he's wanted for years?

Michael's predictable predicament

Michael first appears at the end of 3x04, where he calls Amie up to tell her he's her father.

Man: Hey! Sorry for calling so late. Is it Amie? Amie Condé? Amie: Yeah. Man: I saw you on TV the other day. I’m Michael Condé. I’m your father.

In the next episode, we get a voice-over of the continued conversation between him and Amie.

Michael: [...] I understand if it’s shocking. I’m in Oskarshamn for work for a few weeks and— Could we meet up someday?

So, it's clear what the writers are going for here. It's the estranged father who returns into the child's life when they've become successful. We're made to believe it's a Daddy Had a Good Reason for Abandoning You trope when Michael meets up with Amie and tells her why he left.

Michael: So Petra, she— Has she said anything about me? Amie: Well… That you moved from Sweden before I was born… That you’re working as a lawyer. That you didn’t want to see me. Michael: I was… I was young when we met. Your mom and I. And everything went really fast. I was in love, but she had feelings for somebody else. And when she found out that she— That she was expecting you, then… She didn’t want me there. She said I wasn’t father material. To some degree she might’ve been right, but… I wasn’t much older than you are now. I had just gotten into a law school in Berlin. When I finally came back to Sweden, then… She didn’t let me see you. I had already lost you by then, but I want you to know that I— I’ve thought of you. And about a week ago, I… I’m seeing you. On TV. There you are. With my last name. I’m so proud.

However, it's pretty easy to identify the holes in Michael's story. To be honest this whole storyline was predictable from the very start. Before Michael even came into the story, I made this post which pretty much summed up Michael's whole character when we didn't even know he existed yet (this was when 3x03 was the latest episode that had aired).

I don’t think we’ve heard any mention of Amie’s dad in the whole series except for 3x02 when Amie was being interviewed and was asked about the Condé name where she said that while Samuelsson was from her mother’s side, and Condé was from “the other side”. I found her word choice a little interesting. I don’t think Amie’s dad has passed—but rather that he’s alive and just chosen to not be a part of her life, which is why Petra seemed to be a little offended when asking Amie why she didn’t want her last name anymore. This might also be why Amie said “the other side” rather than “my dad’s side” because they have an estranged relationship. [...] I’m not really sure if they’ll do anything with Amie’s dad (maybe they’ll go for that trope where the parent who previously abandoned their child returns after the child has accomplished something big/something major happened and the parent wants something from them for personal gain?).

When we actually get to meet Michael and hear his explanation of why he left, I wrote this post pointing out some of the holes in this storyline.

Michael meeting Amie only after she’s become famous is a little suspicious, but it’s understandable if he previously thought she didn’t want to meet him and then sees her with his last name on national television. Obviously he would contact her after that. I feel like there were some question marks with Michael’s whole story though, and the fact that his work just conveniently happened to send him to Oskarshamn after he’d just seen Amie on TV. Maybe I’m missing something here, but how did he know Amie had gone back to Oskarshamn if he saw her living as a pop star in Stockholm? Was this information about Amie quitting the tour and going back to her hometown even online? If Elias (who actually witnessed Amie saying she was done and quitting) seemed taken aback when he saw Amie in Oskarshamn, then how did Michael know?

I do think Michael will return for season 4 though, so hopefully this storyline will be straightened out a little. We don't really know what Michael has been up for the past few years and if he has a family of his own. Maybe he'll contact Amie again to tell her she has some younger half-siblings?

They ended on sour terms, but if Michael does have his own family it's something Amie deserves to know and she can decide whatever she wants to do. I'd also like to see a Michael/Petra reunion, but I'm getting a little ahead of myself.

This storyline wasn't bad, and I do appreciate we got to find out what the situation with Amie's dad was. I also liked how I was able to sympathize with Michael. He's not entirely awful, even if he did put a lot of blame on Petra. It's one of those situations where you don't really know what it's like to be in Michael's position unless you've experienced it, and it's very realistic.

Plot holes

Some of the plot holes of season 3 that I've already mentioned are how Jack waited a whole year before leaking the Kroon family's secrets and how Michael conveniently knew Amie was in Oskarshamn when nobody seemed to know she was coming except her mom.

I actually don't mind that it was never explained how Michael got Amie's phone number either, because that's usually pretty easy to find with a Google search. Things like addresses, economic status, and even your criminal history are easily accessible in Sweden when googling someone's name. So finding someone's phone number is probably fairly easy as well.

On the other hand, one of the most glaring plot holes appeared in 3x08. In this episode entitled Lost, the Kroon family is frantically searching for Felicia who has gone missing. Leila and Elias knock on Petra's door to see if Amie is there and might know something about Felicia's whereabouts. Petra tells them Amie isn't there and they leave.

Someone left me an anonymous ask which I answered in this post, pointing out how it was strange that Elias didn't just call Amie to ask her when she wasn't at home. We know Elias has her number because they've been talking on the phone and texting each other several times before in the season.

In 3x08, when Elias and his mom go to Amie's house and ask Petra if Amie has seen or spoken to Felicia or whether she's home, I couldn't help but wonder, uh Elias why not just call Amie and ask her if she has seen or spoken to Felicia? [...] if Elias had called her and she heard how frightened him and his family were and police being involved she would have told him and then there would be no point in the 3x09 episode really.

This is a very strong point. You could argue that maybe Elias just didn't think of that but if they went out of their way to visit Amie's house only to not find her there, it would seem like calling her instead would just be a logical next step in the situation? Here's what I wrote in response to this ask.

This is an issue I had with 3x08 and 3x09 as well. I had a hard time actually enjoying the moment between Felicia, Klara, and Amie knowing that her family was getting increasingly worried for her and even thought for a short moment that Felicia was lying dead at the bottom of the ocean. All that could’ve been avoided. To add, it didn’t make a lot of sense to me that when Klara finally decided to call someone she called Amie instead of Elias. An ex-friend of Felicia’s instead of her brother who could’ve helped a lot more. What was Amie supposed to do when she showed up at the hotel, exactly? I know there was the thing with Klara only knowing Amie’s number off the top of her head, but there is no reason why she couldn’t have gone down to the reception while Felicia was sleeping and asked to use a computer just to get a quick message to Elias. Like, “hey, Felicia attempted something bad but she’s safe with me, we’re at this hotel in this room but she didn’t want me to call anybody, I don’t know what to do”. That would’ve been so much better than keeping quiet about the situation for nearly 24 hours. I know that Klara probably has trauma from leaving her dad at the hospital after his suicide attempt and that she probably didn’t want to go against Felicia’s wishes. I understand the first part 100%. But Felicia was in a very bad place emotionally and was thinking that her whole family hated her when that wasn’t the case. I feel like in a situation like that you kind of have to be the bad guy just to ensure the family that Felicia was safe. Even if everything turned out alright in the end, it could’ve gone so much worse if Felicia had wanted to be kept hidden for longer. [...] Elias calling Amie would’ve been an easy solution to this whole debacle but we would’ve lost the drama. It’s still somewhat of a plot hole though, like you said.

I understand it was done this way for dramatic effect, but that doesn't really patch up the plot hole.

I also found it strange how many people turned on Felicia after Jack ruined her reputation in the press. I talked about this in an ask I received.

I don’t understand why the public turned on Felicia so harshly. And Leila too, for that matter. The way Jack told the story about how these two women had things done to them should indicate that they’re not the ones to be blamed. If I read this article and found out an 18-year-old girl got pregnant by a “violent criminal” who forced her to abort and then abused her I would not be angry with the girl. I would be angry that she was physically abused and also outed on her sexuality for being bi. If I read this article and found out Leila had been cheated on by her husband repeatedly with her best friends, I wouldn’t be angry at her. I would not agree with the decision to turn to alcohol (same as Felicia turning to drugs), but I wouldn’t blame them. And I feel like a lot of people should’ve been on Leila’s side after finding out the reason why they divorced. I don’t understand why people are saying they’re disappointed in Felicia and calling her fake when she’s been through so much trauma in her life. I feel like if this actually happened in real life, all the blame would be shifted to the men because they’re the ones who—in this story—are painted as the bad guys (with the exception of Jack, considering he was anonymous).

I got another anonymous ask sent in after this, pointing out how the anger directed towards Felicia was considerably more about her drug use rather than the abuse she endured. Here was my response to that:

[...] the drug use should’ve been understandable considering the stuff Felicia had been through was also written in that article. I don’t know. I can understand people unfollowing her if they didn’t want their young children to be exposed to all the controversy, but it’s still strange that everything Felicia received was hate messages. Did everybody just skip over the part where the anonymous source stated that Felicia was violently forced to have an abortion by an ex-criminal and probably did so out of fear for her life? Yes, we know this is fake, but why didn’t anybody seem to mention this? [...] they seem to have written this storyline with the idea in mind that the public was against the whole Kroon family. Felicia got comments such as “So fucking disappointed in you and your family”, “What a nasty fucking family”, “You and your family are so fucking disgusting”. So I think Leila received plenty of hate for drinking instead of divorcing her husband sooner and basically turning a blind eye to all the problems her family went through. That’s what Jack told the press, at least. The anger seemed to be directed towards every member of the Kroon family and that didn’t make a lot of sense to me.

Again, this is something the writers did to dramatize the situation and they kind of forgot to consider that what Jack actually told the journalist wasn't as incriminating for Felicia and Leila as it were for Mats and Elias.

The magic of season 3

What season 3 really excelled in, to me, was delving into some more serious topics as well as showing the gradual development of Amie and Elias' relationship. Amie and Elias are the prime example of how a slow burn is so much better than having a couple get together too fast, like Felicia and Ludde did back in season 1.

While season 3 was still airing, I wrote a post dedicated to questions I had received about Elias and Amie. Here's one of the things I said about them:

I think Elias’ interest in her really started to grow after he saw how caring Amie was to Felicia, and later on connecting with her on how they both ended up back in Oskarshamn after following their dreams which didn’t exactly turn out the way they expected. Yes, Elias has always sort of been watching and admiring Amie from afar, but that interest didn’t start growing until he actually got to know her. The experiences they had in the US and Stockholm, respectively, probably changed their mindsets and in my opinion it makes so much more sense for them to get together now than it would’ve in season 1 or season 2.

I still believe that Elias and Amie are the best-written couple of the whole show (at least so far), because they just make sense. We'll see what season 4 has in store for them because we have yet to actually see them in a romantic relationship, but I feel like their personalities and characters just fit together really well.

Another thing I really appreciated was the depiction of Felicia and Ludde's declining relationship. Things like that happen so easily, and I liked how we see Felicia do this huge gesture of planning a picnic for Ludde in 3x04 but there were still underlying problems between them. It's like that in real life too—no matter how big of a romantic gesture you make, communication will always be the number one priority in any relationship and that's where Felicia and Ludde fall short.

The obvious disconnect between them when it comes to money is also important. It's been like this from the beginning, but season 3 gave us an actual conversation about it.

Felicia: Please, I can’t talk about this. Seriously. It was stupid of me to bring this up from the beginning. Fuck, I get such anxiety talking about the future— Ludde: You get anxiety? I’m the one walking around with no money in my account. Mom and dad had to get a loan to pay off mine and Andreas’ fines. I’m playing on a shitty old synth, and living off you like some leech. That’s anxiety. Felicia: Everything isn’t about money. Ludde: Says the one who has money. Felicia: Move out then, if it’s so fucking hard to feel like a leech.

This felt very realistic. Of course a person like Felicia wouldn't think money is everything when she's never experienced financial issues. She's able to move out into her own one-bedroom apartment as soon as she's turned 18, it seems, and doesn't worry at all about the cost of furnishing and decorating it. She didn't even pay for it herself, because Mats mentions he's the one on the mortgage loan. It seems like Felicia has never had an actual job either, and that's starting to worry her because she has no idea what she should be doing.

Felicia: [...] I don’t know what I’ll be or what I’ll do in the future. I don’t know that. Ludde: You’re still an influencer— Felicia: Don’t say I’m an influencer, please. Do you think I want to be that my whole life? It’s not even a career. I'm— I’m graduating next year, and I… My grades suck, and— I have no plan. I only have you. Not like that—I have you. That’s what I have. I want to be here, in Oskarshamn. I don’t want to go to the US and chase some dream and be a hockey wife. That’s not a life. Sometimes I wish neither of us had a plan, just us together here.

Felicia's character finally offers something interesting here, which I've waited for since season 1. She's not just a party girl anymore who has issues with drugs. She's a privileged teenager who is co-dependent on the guys she meets and who has anxiety about the future, to the point where she wishes she could stay in Oskarshamn in her little apartment forever stuck in limbo.

She has to face a harsh reality when Ludde decides to break up with her, and later on when her name is slandered in the press and people all over the country are sending her hate messages. Her own family is furious with her and Felicia has nobody. She's pushed away a lot of people and her mental state is just crumbling in front of our eyes.

It's a strong storyline and actually very well executed. Almost everything gets taken away from her, and at the end of 3x07 you can almost feel what Felicia is feeling. We've been with her through this whole journey, almost, and we understand why she feels like suicide is the only answer.

It's tough to watch that final scene of 3x07. It's greatly amplified by Alva Bratt's superb acting, but the writing of the journey there is also amazing. It's very difficult to write a sensitive storyline like this.

Overall, I don't have a lot of critique towards season 3. I loved most of the episodes. I elaborated on this further in a separate post:

[Episodes 3x04 and 3x05] showcased what Eagles should be all about so well, which is relationships plus the struggles you go through as a teenager in a small town, and then of course hockey. The hockey game episodes are really good, even if I don’t think 3x05 topped 2x05 (the game where Ludde got tackled and knocked out). I loved the contrast in Date night of the budding relationship between Elias and Amie and then that fight between Felicia and Ludde on the cliff. [...] It was interesting to see how this sweet gesture from Felicia turned into a fight between the two of them. I thought that was very realistic, because no matter how big of a gesture Felicia made to apologize there were still underlying problems that they needed to talk about. I also loved the “non-date” between Elias and Amie in this episode. It was cute to see them goofing off before the movie started and then talking about it on the way home. I liked how Elias could connect to her on how they had both returned to Oskarshamn. The recent episodes that dropped last week (3x08 and 3x09) were very strong and discussed some important subject matters [...] They were dark, but not necessarily bad because they needed to happen. However, I have to say that I prefer Eagles when it’s about hockey and teenage relationships. 3x04 and 3x05 made me kind of nostalgic for season 1 and I liked the vibe they both had.

Eagles season 3 is in my opinion the best season of the show so far, and we haven't seen any signs suggesting that there is any reason for season 4 to not be even better.

Season 4: Hopes and wishes

Considering how each season has been increasing in quality bit by bit, I have pretty high hopes for the writing in season 4. I'm excited to see how the transition from teenager to young adult will be portrayed in the main characters, and what their future will hold for them after they've graduated.

My main questions are if Felicia and Ludde will find their way back to each other or if they'll remain broken up (that would be realistic as well), if Klara will reconcile with her mom, what's in store for Elias's hockey career, and if Amie will leave her label and maybe opt for something more independent.

I also want to see how Felicia deals with the new home she's checked in to, and if Ludde will in fact go to the school now that it seems Andreas will be getting into trouble again.

Amie and Klara are kind of wild cards here, because it somewhat feels like they've already reached their happy endings. Amie is famous and successful in her pop music career, and Klara has found her place as a businesswoman following in her father's footsteps. Maybe these developments should've come in season 4 instead of rushing them.

Nonetheless, I have faith in the writers. The writing suffered a little in seasons 1 and 2 but it has gotten better. Most of the things I pointed out about season 3 were just small details in an otherwise stellar season.

In conclusion...

This post was critical, but I tend to be critical of every show I watch. Eagles is still a very special show for me and having grown up in a Swedish small town myself I'm very fond of the show and its characters.

So huge thanks to the creator, Stefan H. Lindén, for making this show a reality and also to the director Carl-Petter Montell for contributing to the writing in season 3. And of course the writers of the show which include Michaela Hamilton, Fanny Ekstrand, and Anton Nyberg (plus Amanda Adolfsson who helped write 1x02 and 1x05 and Simon Ekbäck Nordström who is credited for helping with the hockey scenes in 3x05).

I hope you guys enjoyed this long, long post and major kudos to you if you read this far!

[shinidamachu]

I got a complaint about Sunrise's execution of Yashahime. Ignoring the ships&animation: 1. Intent was to make Yashahime accessible to younger audience. Problem: Yashahime relies heavily on call backs to OG series&fan favorite characters. It doesn't work as standalone series. This alienates some fans. 2. Follows format of OG series with filler stories direct from Inu manga. Problem: We're now in a binge/streaming culture. OG series was produced when 'seasons' did not have breaks in-between (1/2)

Filler eps made only for call backs to OG series in 24 ep season format reduces proper story progression and satisfying character growth. 3) Lack of outside input. RT has said she asked Kag's VA for opinions (also rumors exist that Sunrise loved working with Kikyo's VA, thus Kikyo appears more). OG cast of VAs, some VERY big names, have shown surprise and differences in opinions (sort of a big deal to admit publicly in Japan). This leads to 4) Many expected RT-style storytelling.

Many saw the cash grab but Sunrise assured multiple times RT approved all, thus 'she must be heavily involved.' Problem: VA has mentioned RT's surprise at some story elements & RT clarified her opinion on some topics. Sunrise exaggerated or lied of RT's 'heavy' involvement & lacks outside opinions. Franchise with sequels relying on one person to make big decisions... *cough*starwars*cough* HNY could've been a good generic standalone anime. But no. Relies heavily on call backs

You are absolutely right and you should say it. You know, I’ve recently read Yashahime: Where Did The Inuyasha Spin-Off Go Wrong? by Alan Hobbs and let me tell you: it is spot on, just like your complaints. Everyone interested should give it a read sometime.

I’d say the problem isn’t even that Yashahime relies heavily on call backs to the original series, is that call backs to the original series are the only thing Yashahime has to offer. And it manages to fail even at that. Let’s be honest here: right now, who is Yashahime’s audience? Mostly adult hardcore Inuyasha fans. Why are they still watching? Because of the original characters. We know those characters. We care deeply about them. But the new viewers won’t, because the new main characters don’t give them a reason to, so they aren’t drawn by nostalgia like we are. People who have never seen Inuyasha are getting nothing out of it. And lately not even nostalgia is enough to keep ratings up. Not when there’s literally thousands of more interesting shows to watch out there. 

They intended to use the original character as bait for us to come, but forgot to write compelling plots characters for us to stay. In fact, they went out of their way to deliver a story that pretty much insulted the original, so not only most of us left, we made a point out of screaming to whoever would listen how bad of an experience this whole thing was on our way out. 

If they were trying to make Yashahime accessible to younger audience they miscalculated splendidly, but in the end of the day, I feel like Yashahime was just a move to recover some of the big, old Inuyasha hype in order to sell more merch, because look at the decisions they have made so far. They were always going to alienate a part of the fans. There’s no way they didn’t take that in consideration.

And sure, because of the streaming culture, the format of Inuyasha, which Yashahime tries to follow, may have fallen out of use, but the difference is that Inuyasha’s fillers were needed as a breather from the plot. Yashahime has no plot, which makes the fillers unnecessary and frustrating rather than funny or cute like most of Inuyasha’s were. 

The lack of outside input was their fault. They either didn’t search around the fandom to see what we truly wanted from this show or they did and completely ignored it because they thought we were gonna eat whatever crap they fed us anyway, so why bother? If they had stopped and actually listened, they would have come to the conclusion this series was a bomb (derogatory). But it doesn’t matter how much we hate it, as long as we keep buying their products, it was all worth it for them.

And, finally, you can’t expect Takahashi-style storytelling without Takahashi. That’s why everyone feels out of character. That’s why the story is so dull. It has no soul. Inuyasha was charming enough that we could overlook its flaws. Yashahime falls unbelievably flat in comparison because is trying way too hard and not trying at all at the same time. Takahashi’s level of involvement wasn’t the only thing Sunrise nastily lied to us about. 

I can only hope they lose a lot of money over it and never touch the Inuyasha franchise again.